Chicago has taught me that there is still so much in this country that sees only black and white. That it is a political action every step of every day to be Black.
Activism means thinking about who are the artists getting exhibitions and making sure exhibition practices are equitable; making sure that all are empowered to have their voices heard.
In Anne Carson’s essay “The Gender of Sound” she writes “every sound we make is a bit of autobiography. It has a totally private interior yet its trajectory is public. A piece of inside projected to the outside.” Carson builds upon these thoughts to create a framework that examines the cultural considerations and consequences of our sounds: what do we listen to, what do we censor? In a sense, Carson’s schema develops an account of value–what sounds do we listen to, what sounds do we remember, what sounds form a life? Viewing artist Jose Santiago Perez’s show PASSIVITIES, currently up at the Humboldt Park based Ignition Project Space, brought Carson’s ideas of aural intimacy to mind by virtue of the work’s inextricable entanglement with memory and the performance of memory. Though Carson is not explicitly engaged with in the exhibition, Santiago Perez’s use of craft and repetition render each piece a memory palace; every work endowed with the ghostly remnants of what was said and never said. Santiago Perez is an artist invested in understanding …
Video and installation artist Galia Basail speaks about her pop-up exhibition and her wider curatorial practice, inclusivity, and communities in Chicago and Mexico.
Talking about operating a space that runs solely on community support and how to be a good neighbor.
A review of the most recent show at The Franklin in Garfield Park.
The Franklin’s My Feet Have Lost Memory of Softness utilizes space and place to explore the concept of softness, questioning and expanding the audience’s pre-existing relationships with change, time, and the hierarchies of an art gallery. Curated by Ionit Behar, the crux of the installation is the representation of softness as a characteristic of mutability and change. Within the realm of an art installation, change can be indicative of transition and fluctuation in a viewer’s experience and subsequent understanding of a work. This conception of softness is compounded by the nature of the Franklin as a site, a quality described by the show’s written materials as an “unconventional and unofficial presence.” Such presence is derived from the fact that the Franklin is an artist-run site within Edra Soto and Dan Sullivan’s East Garfield Park home and yard. These blurred boundaries between the communal and the domestic are in and of themselves a softness, one that speaks towards an artist community formed from transition. When entering the Franklin’s outdoor space one is immediately confronted by Jean …