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Everything And More: On the Makings of Bunny McKensie Mack
by
Tempestt Hazel
May 18, 2022
·
Community
,
Interviews
Sutures: An Interview with Michael Khuth
by
Ian Hanesworth
May 17, 2022
·
Exhibitions
,
Interviews
,
Sixty Regional
Review:
FEMME
at FLXST Contemporary
by
Jen Torwudzo-Stroh
May 17, 2022
·
Essays + Reviews
,
Exhibitions
Review:
Space to Say
at Heaven Gallery
by
S. Nicole Lane
May 12, 2022
·
Essays + Reviews
,
Exhibitions
May Art Picks
by
Sixty Inches From Center
May 1, 2022
·
Art Picks
,
Happenings
Navigating Systems of Support: The Double-Edged Sword of Success as a Disabled Artist
by
Courtney Graham
April 28, 2022
·
Artists
,
Chicago Arts Census
,
Interviews
Open Letter to the Chicago Party Scene
by
Anonymous
April 26, 2022
·
Community
,
Resources
Changing the Angle of My Face to Become Different Faces
by
Adriana Yochelson
April 26, 2022
·
Essays + Reviews
Egg
by
Morgan Green
April 22, 2022
·
Archives
,
Poetry + Short Stories
What’s There to be Proud of in Indiana?
by
Haley Glickman
April 20, 2022
·
Community
,
Essays + Reviews
,
Interviews
(Re)Materializing Dread: An Interview with Mayumi Lake and Stacia Yeapanis
by
Annie Raab
April 20, 2022
·
Artists
,
Exhibitions
,
Interviews
Confounding ‘Finding’
by
jina valentine
April 18, 2022
·
Artists
,
Chicago Arts Census
,
Community
Time and Time Again: An Interview with Farah Salem
by
Tempestt Hazel
April 15, 2022
·
Artists
,
Interviews
,
Sound, Film + Video
Review of This House Is Mine by Bob Thompson
by
Elizabeth Upenieks
April 15, 2022
·
Essays + Reviews
,
Exhibitions
,
Featured
Fluorescence
by
Ariel Yisrael
April 14, 2022
·
Featured
,
Poetry + Short Stories
,
Sound, Film + Video
Opal Pools of Milk and the Luzhin Defence: Review of This Too Shall Pass
by
Annette LePique
April 14, 2022
·
Archives
,
Artists
,
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,
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,
Featured
Notes on Designing Cultural Change
by
Noëlle Pouzar
April 13, 2022
·
Art Design Chicago
,
Community
,
Essays + Reviews
,
Featured
,
Interviews
Looking Forward by Looking Back: Dawn to Dusk by Azadeh Gholizadeh
by
Livy Snyder
April 12, 2022
·
Essays + Reviews
,
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,
Featured
Disabled Sanctuary: Interview with Sangi Ravichandran
by
carrie sarah kaufman
April 11, 2022
·
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,
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April Art Picks
by
Sixty Inches From Center
April 9, 2022
·
Archives
,
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,
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In My Mother’s House There Is Still God: A Response to the Film ‘to render the infinite’
by
Riley Yaxley
April 5, 2022
·
Archives
,
Art Design Chicago
,
Essays + Reviews
,
Featured
Going Back to the Future: A Visual Collage In Response to the Film ‘to render the infinite’
by
Ireashia Bennett
April 5, 2022
·
Archives
,
Art Design Chicago
,
Featured
,
Sound, Film + Video
Memoir, Mythos, and the Maximalist Practice of Cecilia Beaven
by
Tempestt Hazel
April 4, 2022
·
Archives
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Memorias, mitos y la práctica maximalista de Cecilia Beaven
by
Tempestt Hazel
April 4, 2022
·
Artists
,
Bilingual
,
Interviews
,
Sound, Film + Video
Muña: A New Art Writing Program with Chuquimarca + Sixty
by
Sixty Inches From Center
April 1, 2022
·
Community
,
News
,
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God is a Black Woman
: a Selection of Poems by Chaz Shermil Hodges
by
Chaz Shermil Hodges
March 31, 2022
·
Featured
,
Poetry + Short Stories
,
Sixty Regional
The Object as a Lightning Rod For Meaning: A Review of
General Objects
by
Ally Fouts
March 30, 2022
·
Essays + Reviews
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Exhibitions
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Featured
Radically Galvanizing Chicago’s Arts Worker Ecosystem, via Data
by
Felicia Holman
March 30, 2022
·
Archives
,
Artists
,
Chicago Arts Census
,
Community
,
Featured
Review: Crip* at Gallery 400
by
Ashley Ariel
March 29, 2022
·
Essays + Reviews
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Pool Party
by
Caitlin Price
March 28, 2022
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Featured
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Sixty Regional
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