All posts tagged: Urbana Public Arts Program

Featured Image: The marquee of The Art Theater in Champaign, Illinois reads “For Sale or Rent.” The Art Theater’s sign is red and retro. The brick building is located on a downtown street, with residential apartments above the theater. Photo by Jessica Hammie.

Support for the Arts Supports Us All

Before I moved to Central Illinois, I hadn’t spent much time thinking about the ways arts and culture programs affect a community. Living in a mid-sized town/small city/micro-urban area for a little over a decade has changed the way I think about community and what it means to have access to those types of programs. Dynamic arts and culture programming signals that residents are engaged and active, that this is a place people should want to live. It signals that a municipality values its citizens, and is interested in helping create a community where a rich quality of life is revered. An engaged arts community celebrates and challenges its members and residents; it’s more than a collection of people making stuff or putting on performances. These programs indicate there is an infrastructure that supports community connection and potential for conversations about difficult subjects that can advocate for change. Active and critically engaged arts support systems within communities are vital to the growth and progress of small towns like Champaign-Urbana. In a diverse community like C-U, …

This is an image of moderators and panelists talking.

Beyond Alternatives, Toward Refusal

Beyond Alternatives, a two-day symposium organized by Cory Imig and Dulcee Boehm, fostered a dedicated site to share and reflect upon their experiences as artist-organizers working outside of metropolitan centers. The dozens of artists, writers, educators, and curators living in, thinking about, and actively building communities and social networks who came together reflected the need for this event. The symposium converged and slipped around three main themes: sustainability and transparency when directing an artist-led project, social practice and community engagement, and institutional critique. Paddy Johnson, the founding editor of Art F City, a digital platform for critical conversations surrounding contemporary art, a writer and independent art blogger, opened the symposium with a keynote address appropriately titled “Artist-Led Projects.” Johnson opened with a summary of her and collaborator Michael Anthony Farley’s iterative project “We’re SO not getting the security deposit back,” a guide to now defunct artist-run spaces documented in NYC, Washington D.C., and Baltimore. Each guide features commissioned essays, which emphasized the unique history and conditions of each city. Inherent to this project is a …