All posts tagged: NEA

Inferno, Purgatory, or Paradise: An Interview with Sabina Ott

I call Sabina Ott “my eyes and ears to the Chicago art scene.” Her endless ability to wow with her art, which was on view from August 30 to January 4 in the huge-scale “here and there pink melon joy” at the Chicago Cultural Center, is matched by her commitment to present and support artists. She is intellectually and materially ambitious, and over the years I’ve developed a deeper understanding of her sensibility. Profoundly influenced by her mother, her work as an artist, teacher, and presenter is informed by a feminist ethic and explores the complicated, and at times ecstatic, space of transformation. Melissa Potter: What inspired you to become an artist?  I know your mother was a big influence on your work. Sabina Ott: I was always aware of my position as a woman artist—even if my response to cultural bias against women was sometimes confused. As a child, I wanted to have what I now call the privilege of the authoritative I: the privilege to access my subjectivity with the freedom that men seemed …

10 Minutes with Sabina Ott

It turns out that the Democrats and Republicans weren’t the only ones stepping up to the podiums to broadcast the ways in which they would like to push us forward. In the winter of 2010, the College Arts Association called on its members to vote for the next board members to serve on their Board of Directors. Although she has spent a large part of her life on the east and west coasts, we in Chicago claim candidate, and winner, Sabina Ott as one of our own. What kind of New York turned California turned Windy City perspective will she bring to the CAA? Let’s ask her! What has been your relationship with the College Arts Association? Why should students in the arts know about the CAA? As the premier organization serving artists, art historians, and arts educators across the country,CAA has been invaluable to my practice as an artist, through grant and exhibition calls, job opportunities, and especially Art Journal and The Art Bulletin. I always recommend membership—I first joined in 1995—to my students as a …