All posts tagged: humor

Featured image: Fawzia Mirza. In this medium-close-up shot, Fawzia looks directly and confidently at the camera, smiling with pursed lips and pointing at the viewer with both hands. Fawzia wears a long-sleeved denim shirt with a blue-on-blue, camouflage-like print and the top few snaps unsnapped. The cuffs of her shirt-sleeves are folded back, and she wears several bracelets and rings made of silver or wood. Photo by Bradley Murray, cropped to fit. Courtesy of the artist.

Beyond the Page: Fawzia Mirza

“Beyond the Page” digs into the process and practice of writers and artists who work at the intersection of literary arts and other fields. For this installment, I interviewed Fawzia Mirza — actor, writer, producer, and “artivist” — about the relationship between her writing and performance, her creations’ many forms and media platforms, the role of comedy and collaboration in her work, and how she hopes her work impacts others. Our conversation took place remotely, with Fawzia responding via audio recording to a set of emailed questions. Find Fawzia on Twitter and Instagram @thefawz. “The Red Line” premieres on Sunday, April 28, on CBS. This interview has been edited for length and clarity.   Marya Spont-Lemus: I first became aware of your work several years ago, when you emceed TEDx Windy City, at which two of my students were speaking. I thought you were such a charming, energetic, bold, incisive yet kind and generous host, and it was so lovely to officially meet you a few years ago and to discover that you’re just as smart …

Featured image: Maggie Robinson and Allison Sokolowski performing in “I Am” at the Chicago Danztheatre Auditorium, as part of the Body Passages culminating event. Maggie balances with one foot, knee, and hand on the floor, as Allison stands on Maggie’s lower back. The performers hold each other’s left hands and look at each other. Both are barefoot and wear white t-shirts and jeans. Behind them is a well-lit stage, with a string of colorful paper suspended across it. Still from a video by John Borowski.

Body Passages: Culminating Collaborations

This is the fourth and final article in a series about Body Passages, a partnership between Chicago Danztheatre Ensemble and The Chicago Poetry Center (the first, second, and third pieces can be found here). These articles provide brief looks into a 10-month, interdisciplinary creative process between Body Passages poets and dancers, documenting and reflecting on aspects of that process as it happens. Launched in 2017, Body Passages is an artist residency and performance series curated and produced by Sara Maslanka (Artistic Director of Chicago Danztheatre Ensemble) and Natasha Mijares (Reading Series Curator of The Chicago Poetry Center; Natasha also writes for Sixty). Trigger warning: The performance “Blood Memory,” discussed below, contains references to sexual assault, including in childhood. During a culminating event featuring groups’ final performances, the Body Passages artists offered the audience sugar cereal, sparkling cider, and glowsticks; invited us to dance with them and record ourselves reading their poetic curations; and asked us to travel back in time with them to New Year’s Eve 1998. Especially appropriate given Body Passages’ collaborative focus and …