content warning: descriptions of violence
nandi relays a message
after an endless swallowing    of years 
a little girl, limbs molded 
from mother’s darkest saffron 
stole 
  to my soot-stoned side 
hewn from sweat      and love. 
hungrily she cupped a hand 
        to my frozen ear. 
      the cold pelt            singed 
        in her exhale   as 
with earth-stained lips she 
scratched words           into being 
  the way eyes 
were once carved 
             into my face.    she said 
             lord        give me a mouth 
           that is too full            of teeth 
to hold a prayer still 
              in my blood. 
and skittered away      before a guard 
    could tell her not to touch me 
            as if the whorls 
            of her ancestors’ fingers 
            were not imprinted     in my skin. 
unblinking i gaze 
into a land of concrete      and glass. even 
here,    in a view 
of metal ants and water 
        i cannot cross, i see 
              your feet 
blue thighs poised      melding into 
             sea and sky 
                 toes jeweled 
           in a blanket 
                of white. 
they call it snow. the falling 
of silk slivers 
that disappear into hair 
              and flesh. 
lord, tell me.        will they 
    know the difference 
when heaven 
    splinters open         and pours 
                       ash? 

letter to nydia, blind girl of pompeii, from an unnamed goddess
child, i               am not immune 
 to ravaging, 
               like you. 
i, whose mud-colored palms 
              were sculpted for blessing 
fingers carved 
inch      by inch 
                            into meaning 
now sit behind unfaultable glass
where eyes linger         ravenous 
              on the misshapen shattering 
                           of my breast 
the brusque edges left 
              from severed   hands. 
if i bled             in the uprooting 
     of my body, 
                the shredding 
of muscle              from bone, 
like you                 they 
     would not       see it. 
it would have rusted 
        into the umber stone 
               of my skin, and 
the immutable bow 
       of my lips. 
                          in the marble   hills      of your eyes 
                               the lithe        valleys  of your brows 
             i see the shape of your terror. your
             elegant breast slip out. your 
             curls stream like           little brooks 
                 over a shoulder 
            as           a swanlike hand 
                                              rounds an ear 
hungering for salvation.
the molten folds 
of your dress 
         flood around a column 
crowned            verdant 
a perfect ruin.
i wonder who are you
to tell me about destruction
and grace?

song 
(inspired by Shanti Ghose and Suniti Chaudhury) 
when even love is a prayer we shriek 
from the pistol’s mouth. when even love 
is a scream we splatter in sandalwood 
paste and blood. when even love’s grin splinters 
gums throbbing from chewing patience and sucks 
dynamite’s greedy tongue. when even love 
crawls in next to us between shadows shaped 
by cold iron bars, white-eyed, small belly 
bloated with famine. when even love smells 
of carcasses oozing in heat and gnaws 
her own crusting skin to stay alive. when 
even love is a mad black-skinned goddess 
whose soft lotus petals we anchor 
in our hair before charging off to war.
An interview with Sharanya Sharma is published on Sixty here.
Featured image: Sharanya Sharma. Sharma sits with hands folded under her chin, elbows on a white table, with multi-colored notebooks in the foreground. Sharma wears a marigold cardigan open over a black and white striped shirt. Behind Sharma are several pastel throw pillows and a large plant, and natural light comes through the windows. Photo by Kristie Kahns Photography.


Sharanya Sharma is a writer and teacher from Washington, D.C. whose work deconstructs mythology and explores the effects of the Indian diaspora. She received an MFA in writing from the School of the Art Institute of Chicago. Her work appears or is forthcoming in The Black Warrior Review and Silver Needle Press, and has received honorable mentions for the Academy of American Poets Award and the Bain Swiggett Poetry Prize.



