All posts tagged: Theaster Gates

Review: Out of Easy Reach

In December 2017, Tempestt Hazel, a founding editor of Sixty Inches From Center, wrote an essay titled “A Case, Cosign, and Roll Call for Women of Color in the Arts.” Rooted in weariness but ending with practical strategies for the inclusion of Women of Color (WoC) in the arts, the article uses the appointment of Julie Rodrigues Widholm as Director and Chief Curator at the DePaul Art Museum as an example of “stealthily building women into the fabric without writing it on the wall, and as if it was the mission all along.” It then goes on to call out the then-upcoming exhibition Out of Easy Reach curated by Allison M. Glenn, Associate Curator of Contemporary Art at Crystal Bridges Museum of American Art, as another example that promotes this particular method of inclusivity. Glenn’s exhibition combines the forces of arts practitioners and administrators (including Rodrigues Widholm) working primarily across the city of Chicago to present 24 female-identifying Black and Latinx artists who use abstraction “as a tool to explore histories both personal and universal, with a focus in mapping, …

The Silver Room That’s Gold: An Interview with Eric Williams, Pt. 2

This is the second part of an interview with The Silver Room owner Eric Williams, just in time for the 9th Annual Sound System Block Party. Did you catch part one? If not, check out ‘The Silver Room That’s Gold: An Interview with Eric Williams, Pt. 1’. Tempestt Hazel: What I think is so great about The Silver Room is that it allows for such diverse programming to happen in it. Having readings, exhibitions, music, clothing, etc. around those themes seems natural. Eric Williams: It is. And it’s not all me. A lot of times it comes from other people who understand that the space is available for a different kind of voice to be spoken. If they get what the space is they approach me [with an idea] and I say, “Yea, let’s do it.” That way, I’m not always depending on myself to come up with what’s next. TH: Roughly how many shows have you had here? EW: Maybe 20? Hebru Brantley, Krista Franklin and Tyrue ‘Slang’ Jones [have each] had a show …

The Silver Room That’s Gold: An Interview with Eric Williams, Pt. 1

Maintaining a successful art space is no easy task. Those of us who are regulars within the Chicago arts circuit have seen a fair share of galleries, alternative spaces and performance venues come and go. When you find one that stands the test of time it most likely means they’re onto something. After thirteen years of providing a platform and outlet for many up-and-coming or local superstar artists, musicians and artisans–and even the general public through Grown Folks Stories–it’s safe to say that Eric Williams, the owner of The Silver Room, has struck gold (or silver).  He has done this through embracing versatility and flexibility, therefore allowing his business and even his own career path to transform and grow when necessary. In light of the 9th Annual Sound System Block Party happening this Saturday, July 16th, I sat down with Eric to get the full story of how he went from stock broker turned successful street peddler, to the owner of a place that has given new meaning to the term multi-functional. (Note: This is …

An Artist's Wonderland: The Dorchester Project

The Dorchester Project, a highly anticipated multi-use space in Chicago, is the workings of internationally celebrated artist Theaster Gates. The space, which has a tentative completion date of 2012, is a wonderland for the artist, designer, architect, music lover and scholar with the entire former art history slide collection from University of Chicago, the remaining records that were left in the final hours of Hyde Park’s Dr. Wax and thousands of books waiting to be re-read and referenced. Gates’ right-hand woman, Dara Epison, was kind enough to take me on an intimate tour of the space, where we stayed for hours. The Dorchester Project from Tempestt Hazel on Vimeo.

Et Cetera: Soundsuits, The Dorchester Project, SSCAC, Intuit, and KJ Marshall Speaks Truth…again.

This past weekend there were intimate places in the city where amazing art conversations were being had–all of which you will see in more detail when the Sixty Inches From Center: Chicago Arts Archive and Collective Project is launched in October.  The first of those places was at the Hyde Park Art Center Open Crit with Kerry James Marshall and Dawoud Bey.  Now, much of what KJM said were things that fester in the back of my mind regularly, but how clearly and effectively he articulated the function of art made these ideas come crashing to the forefront of my thoughts.  Here are some of my favorite quotes from the Open Crit on Friday, Sept. 10. “The truth is the artwork that matters to me, and that matters to the Hyde Park Art Center, is work that’s in conversation with other artwork.  With other painters.  With the history of painting. That’s what really matters.  If its just to satisfy you, if it satisfies your friends, the people in your family, then by all means keep …

Hyde Park Op Shop 3: Where PBR meets S.Pellegrino…

If you know EJ Hill then you’ve probably gotten food for your mind, body and intellectual soul from him.  You’ve probably entered a very inviting environment.  You are probably an amateur artist without even knowing it–just by being who you are and doing what you do, and participating when invited. For “Us”, the closing event for Op Shop, EJ invited the public to participate in a potluck in Hyde Park.  While I’ve been to the Op Shop on the corner of Lake Park and 53rd at an abandoned, former Hollywood Video, this particular Op Shop brought up old memories of good music and my days as a High Fidelity-esque record store snob.  See, this particular location was once Dr. Wax–the place that people in-the-know went to purchase tickets to the best shows and get the scoop on new music from the guru of all that’s good, Duane Powell.  It was Dr. Wax that introduced me to Jaspects, Bilal Salaam and 4Hero.  It was where I bought my Foreign Exchange tickets.  (Insert Deep Sigh Here). I …