All posts tagged: HATCH Projects Residency

Color it Clean: An Interview with Jeffrey Michael Austin

I first met Jeffrey Michael Austin through an exhibition we were a part of at the Chicago Artist Coalition in 2015, during which he was a resident in their HATCH program.  He then had successive projects in the St. Louis vicinity where I was living, and I maintained an ongoing admiration for the cleverness, humor, and versatility of his practice (he is also an accomplished musician, one-third of the trio Growing Concerns).  He is an artist that is responsive to his environment, locating the wonders of natural elements, as well as wonder-ing about the state of human nature. His re-staging of common objects and occurrences straddle the playful and the political. As the latter becomes more and more urgent, he engages in critique that arises out of a call for empathy.  Over a very long email correspondence, we reflected on some recent bodies of work, as he prepared to open his solo exhibition ‘Outstanding Balance’ at Heaven Gallery.     Lyndon Barrois Jr: It is notable that there are a lot of stars in the recent …

The Aesthetics of Displacement at The Strange Fields of This City

It is rare that a show’s theme so closely mirrors the circumstances of the gallery where it is being exhibited as well as The Strange Fields of This City, curated by Greg Ruffing and features the work of  HATCH Projects Residents Alejandro Waskavich, Haerim Lee, and William Camargo,  on view until June 14th. Along with Brent Fogt’s Do Something Else, it is the last show at Chicago Artists Coalition’s space at 217 N. Carpenter before they move to their new location 2130 W. Fulton. Facing the same pressures of space and development that the show tackles, along with expanding needs, CAC is finding itself having to relocate, like many other arts organizations in Chicago. Peering into the gallery’s windows to see William Camargo’s oversized, rasquache-style advertising signs of Cultura a la Renta critiquing displacement, it is difficult to ignore the construction noises of the high rise going up across the street. Gentrification is in part a war of aesthetics. A war of the undifferentiated, the sameness of developers using profit maximizing, corner-cutting tricks to convince people …