content warning: descriptions of violence
nandi relays a message
after an endless swallowing of years
a little girl, limbs molded
from mother’s darkest saffron
stole
to my soot-stoned side
hewn from sweat and love.
hungrily she cupped a hand
to my frozen ear.
the cold pelt singed
in her exhale as
with earth-stained lips she
scratched words into being
the way eyes
were once carved
into my face. she said
lord give me a mouth
that is too full of teeth
to hold a prayer still
in my blood.
and skittered away before a guard
could tell her not to touch me
as if the whorls
of her ancestors’ fingers
were not imprinted in my skin.
unblinking i gaze
into a land of concrete and glass. even
here, in a view
of metal ants and water
i cannot cross, i see
your feet
blue thighs poised melding into
sea and sky
toes jeweled
in a blanket
of white.
they call it snow. the falling
of silk slivers
that disappear into hair
and flesh.
lord, tell me. will they
know the difference
when heaven
splinters open and pours
ash?
letter to nydia, blind girl of pompeii, from an unnamed goddess
child, i am not immune
to ravaging,
like you.
i, whose mud-colored palms
were sculpted for blessing
fingers carved
inch by inch
into meaning
now sit behind unfaultable glass
where eyes linger ravenous
on the misshapen shattering
of my breast
the brusque edges left
from severed hands.
if i bled in the uprooting
of my body,
the shredding
of muscle from bone,
like you they
would not see it.
it would have rusted
into the umber stone
of my skin, and
the immutable bow
of my lips.
in the marble hills of your eyes
the lithe valleys of your brows
i see the shape of your terror. your
elegant breast slip out. your
curls stream like little brooks
over a shoulder
as a swanlike hand
rounds an ear
hungering for salvation.
the molten folds
of your dress
flood around a column
crowned verdant
a perfect ruin.
i wonder who are you
to tell me about destruction
and grace?
song
(inspired by Shanti Ghose and Suniti Chaudhury)
when even love is a prayer we shriek
from the pistol’s mouth. when even love
is a scream we splatter in sandalwood
paste and blood. when even love’s grin splinters
gums throbbing from chewing patience and sucks
dynamite’s greedy tongue. when even love
crawls in next to us between shadows shaped
by cold iron bars, white-eyed, small belly
bloated with famine. when even love smells
of carcasses oozing in heat and gnaws
her own crusting skin to stay alive. when
even love is a mad black-skinned goddess
whose soft lotus petals we anchor
in our hair before charging off to war.
An interview with Sharanya Sharma is published on Sixty here.
Featured image: Sharanya Sharma. Sharma sits with hands folded under her chin, elbows on a white table, with multi-colored notebooks in the foreground. Sharma wears a marigold cardigan open over a black and white striped shirt. Behind Sharma are several pastel throw pillows and a large plant, and natural light comes through the windows. Photo by Kristie Kahns Photography.
Sharanya Sharma is a writer and teacher from Washington, D.C. whose work deconstructs mythology and explores the effects of the Indian diaspora. She received an MFA in writing from the School of the Art Institute of Chicago. Her work appears or is forthcoming in The Black Warrior Review and Silver Needle Press, and has received honorable mentions for the Academy of American Poets Award and the Bain Swiggett Poetry Prize.