All posts tagged: Sun Ra

Captioned: An Interview with Liza Sylvestre

“The space of this film is expanding.” It is indeed. Liza Sylvestre, a recent graduate of University of Illinois Urbana-Champaign (UIUC), captions 2001: A Space Odyssey on a perpendicular wall from Space is the Place, also captioned. These films roll with Sylvestre’s comments and captions coming with them for an interpretation of the two films. How do these two films operate in our culture? Who gets to access them?  This show at the new space, New Genres Art Space, in Rockford, Illinois, is developing programming around digital art, and its ability to be educational, therapeutic, and community-driven. The small gallery space has been used to the max with this exhibition, as these monumental films stretch floor to ceiling. There are captions that don’t match the films. Instead, they describe a separate narrative of the artist’s thoughts and experience watching the movies. I think these captions make the film more approachable highlighting the accessibility of the films.  This interview has been edited for clarity. Anthony Hamilton: Could you introduce us to your work and the Captioned …

Riding Interstellar Waves: A Performance Essay on Afro-Futurism and Time Travel from D. Denenge Duyst-Akpem

This essay exists as a record, a performance document and collaged concept map linking threads in an interstellar web charting the content of my lectures and presentations culled from over 25 years of study, teaching, sculpting, and performing, each coded element an entry point like portals to the vast arkestry of Afrofuturist future visioning. Highlights include references to performance ritual as the High Priestess of the Intergalactic Federation, Special Envoy to Mars, for the September 27, 2018 Decolonizing Mars/Becoming Interplanetary symposium convened by NASA/Blumberg Chair of Astrobiology Lucianne Walkowicz at the Library of Congress, Washington, DC, and content from performance-lecture-poetics for “Afro-Futurism and Time Travel” at the University of Chicago’s Gray Center for Art and Inquiry and from The Ramm Riff featuring Black Light Primal Nun ‘A’ at Red Bull Arts NY for No Guts, No Galaxy slide show series as part of programming for the exhibition Rammellzee: Racing for Thunder. This is an experimental collage, ideas and poetics intertwined, a performance-lecture-poetic in multiple stanzas, a Time Travel Riff from the outposts of Afro-Futurist vision …

Chicago Archives + Artists Project: Full Interview with D. Denenge Duyst-Akpem

This interview took place as part of an initiative of the Chicago Archives + Artists Project. CA+AP serves as a laboratory and pipeline for the community preservation of artist’s archives. We want to find creative ways to care for an ever more accessible, playful, and diverse compendium of artists voices, process and ephemera. We believe in the power of stories in many voices, on many platforms, past, present and future. This interview, conducted by Sabrina Greig, will be contributed to D. Denenge Duyst-Akpem’s file at the Chicago Artist Files at Harold Washington Library. Sabrina Greig: I’m here with Denenge in her home studio in Chicago. It’s summertime and a beautiful warm day overlooking the city and Lake Michigan. So, Denenge, tell us about your work and your space here. D. Denenge Duyst-Akpem: Thank you for being here and welcome to my space! So, to give some background for the work, I was born and raised in rural Nigeria in a small town called Mkar, Benue State, Nigeria, and it was very spare but rich cultural upbringing. …

Chicago Archives + Artists Project: Interview with D. Denenge Duyst-Akpem

This interview took place as part of an initiative occasioned by the first Chicago Archives + Artists Festival, held at the Chicago Cultural Center in May 2017. The festival kicked off a series of in-depth artist interviews, including this one with D. Denenge Duyst-Akpem, which will be contributed to the Chicago Artist Files at Harold Washington Library. This series of interviews was conducted with a group of artists, curators, instigators, and organizers who we believe are essential to the history of Chicago art. The interview with Denenge was conducted by Sabrina Greig and is excerpted below. In addition to this smaller group of Sixty-interviewed artists, a call was put out to ALL the city’s artists: #GetArchived! The core of the free festival was a pop-up archive processing center staffed by Sixty Inches From Center and volunteers. Many partners lent their time, resources, and high-res scanners(!) to this endeavor, including LATITUDE, the Visualist, and Read/Write Library. Sixty Inches From Center is excited to be continuing the Chicago Archives + Artists Project with support from the Gaylord and Dorothy …

Black To The Future Series: An Interview with Cauleen Smith

Using a title borrowed from an essay by cultural critic Mark Dery, the Black To The Future Series is a sequence of interviews with artists whose practice has started to define a new generation of work in the realm of afrofuturism and afrosurrealism. Using a pointed series of questions, these interviews have been conducted to spark conversation, to hear various points of view on something that is constantly changing and transforming, and with the hopes of allowing the practitioners to be at the center of determining what these movements are. This week we get some insight from artist and filmmaker Cauleen Smith.  Cauleen has spent the past two years in Chicago researching and digging through the Alton Abraham Papers at the University of Chicago and music archives at the Experimental Sound Studio to find gems from the life of musician and philosopher Sun Ra, a key figure in the conversation around afrofuturism.  The results of her investigation can be seen in A Star Is A Seed, an installation and series of short films at the …