/train/track/ling/
the sign tells me danger
keep off these tracks
seventy four and mostly cloudy
the blue line is due, her sober voice
screeches upon the wind in all patient ones’ virtue.
arguably, the seconds quite precious on daily
excursions amount to a lifetime of books read
and poems, likely well-written.
yet, my mind is flooding with ambition
for futures drawing nearer with caution;
of Meadows and Hearts, bursting open
at the sight of what was lost being found,
of an ancestry come to fruition through one girl,
who leaned in and listened; they
told her gently
to mend and
to write and
to watch for the signs
of the blue line approaching, towards O’Hare
.
gather close, corazones fronterizos
when hearts dance blood into crevices,
I’ll sneak another spoonful of sugar into your coffee
on account of how we swoon the sun with laughter
just enough to taste, por supuesto
in this classroom that was made to corner gossip
no spanish
no mames
no spanish!!
seeping its villain tendency through clothes and lashes
pero past the emerald green hills
I saw every flicker between kaleidoscopic song
concluding: intangible lyric makes it
impossible to write about our people
spoken in warm foods and hellish words
so sleepwalk and attend to men and
to man’s narcotic worry—sour though fruitful—
well aware of the soul’s fated failure
to let go of laces woven, knots in time
and buy every last of those gone-bad apples
in preparation for doom, while my necklace glazed in gold
is meticulously tuned to strangle and cuddle
and in the end, when lungs decay efficiently
bleached blues and prickly pear
pink wax will dribble onto carpet,
while we threaten their flame once more
.
Where’s mamacita Malinche?
New Mexican
nuevomexicana
Nueva Mexicana
debut
Welcome to the land of
cleaning up
after
piñon
cedar
juniper
hickory
fir balsa
firm bosom
as a señorita,
preparate,
Morra
Nena
Mijita
Chiquitita
Malcriada
created poorly
mal creada
a parade saddle decorated
with silver medallions
depicting the Eagle and Snake
doesn’t it sound
like a
desmadre?
This madre
possibly mythical
Motherland Aztlan is
seen as
the American Southwest
con un price tag
that can’t be beat,
too bad, she’s breaking
Desolation
begins to
eat its way digest you,
as tension crackles
on a blackening spoon
like a pixelated TV
saying
This is your brain on drugs
and your brain must be on drugs
to survive this Desert
creating
adelitas
artists
in the way
that they
mop the floors
shy away from
seeing a doctor
because they’re afraid of
[in scene]
ranch bell
wheelbarrow
thatcher dairy can
whirligig
wheelbarrow named after a daughter
Mexican interpreter
began with
woman’s betrayal
of Her people.
twisted
herself into the bridge
About the Poet: Isabela Ortega is a Nuevomexicana scholar and multidisciplinary artist. Her work illuminates los de abajo, those from underneath that bear the weight of borderland identities. This lends itself to marginalized communities and the “underneath” mundanity of life.
Familismo, ambiguous grief, and being Chicana inspire Isabela. Through the autoethnographic lens of her first-generation experience, these complexities are brought to light. Isabela’s artistic journey and perseverance, especially during the COVID-19 pandemic, was featured in the Albuquerque Journal. Additional accomplishments include funding from The Center of Southwest Culture on behalf of the TIASO Artist Cooperative. From an early age, her efforts to uplift fine arts programs at Highland High School were recognized through the International Career Development Conference.
Emphasizing in Writing, Isabela attained her BFA from the School of the Art Institute of Chicago as a merit scholar. She attended the Ox-Bow School of Art and Artists’ Residency as a Neiman Scholar and the 41st cohort of The Oxbow School as a merit scholar. Her artwork and writing have been published through Brill’s Critical Storytelling from the Borderlands: En la Linea, SAIC Magazine, FNews Magazine: SAIC Arts, Culture and Politics, and Leonardo: CNM Fine Arts and Literary Journal among others.
About the Illustrator: Alexis Stein (she/they) is a multidisciplinary artist, designer, and community organizer based in Chicago. Her creative practice spans illustration, graphic design, photography, printmaking, and painting, often exploring themes of queerness and community. Alexis works as a graphic designer and illustrator for queer organizations and events throughout the city, using design to bring people together and build community. When they aren’t creating, Alexis spends time working as an urban designer, picking up new hobbies, and DJing whenever they can.