Essays + Reviews

“None of my business”: Power, Abuse, and Mourning in the Work of Selva Aparicio

by Kay Ana

June 7, 2024

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Essays + Reviews, Exhibitions
The Irrepressible Now — Two Days of the National Performance Network Conference

by Jared Brown

May 31, 2024

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Community, Essays + Reviews, Projects + Collaborations
Hawaiian Red Punch

by Ruby Red

May 31, 2024

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Essays + Reviews, Poetry + Short Stories
Relics of a Culture in Flux — a review of Kevin Demery and Andrew Mcilvaine’s Threshold II: Migration Patterns

by Kaitlyn B. Jones

May 28, 2024

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Essays + Reviews, Exhibitions
‘Space is the Place’ and Parks Are Where It’s At: Black Creativity in Public Parks

by Chenoa Baker

May 27, 2024

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Community, Essays + Reviews, On Archives
Review: A Love Supreme at Elmhurst Art Museum

by Jen Torwudzo-Stroh

May 7, 2024

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Artists, Essays + Reviews, Exhibitions
Dark and Hot: Summoning Latin American Vernacular

by Juliana Castro Duperly

April 26, 2024

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Bilingual, Essays + Reviews, Sound, Film + Video
In the Echoes of Pauline Oliveros: The Practice of Deep Listening

by Livy Snyder

April 17, 2024

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Community, Essays + Reviews, Sound, Film + Video
Good Words and Good Works: Greg Bae, CV at Bill’s Auto

by Gareth T. Kaye

April 11, 2024

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Artists, Essays + Reviews, On Archives
Hidden Midwest: Detroit

by Elizabeth Upenieks

April 1, 2024

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Artists, Essays + Reviews, Interviews
A Miserable Party

by Riley Yaxley

March 28, 2024

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Essays + Reviews, Poetry + Short Stories
Consider a Disappearance

by Riley Yaxley

March 21, 2024

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Essays + Reviews, Exhibitions
The Transcendent Iconography of Black Girlhood

by Jasmine Barnes

March 20, 2024

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Community, Essays + Reviews, Exhibitions
Deer in Headlights: A Review of Archiving Edging at Roots & Culture

by Joan Roach

March 14, 2024

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Archives, Bilingual, Essays + Reviews, Exhibitions
Black fugitivity beyond the trenches of genocide: a response to J’Sun Howard’s The Righteous Beauty of the Things Never Accounted For

by Aaliyah Christina

March 12, 2024

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Essays + Reviews, Exhibitions
SAMO

by Paloma

March 7, 2024

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Essays + Reviews, Poetry + Short Stories
Long-Forgotten Fairytale: Twin Flame, Double Ruin

by Annette LePique

March 6, 2024

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Essays + Reviews, Exhibitions
Reimagining South Asian Womanhood: A Review of The Paglees: Between Reason and Madness

by Mrittika Ghosh

February 23, 2024

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Essays + Reviews, Exhibitions
Fossilized Ecologies: A Review of Yoonmi Nam’s Generally Meant to be Discarded at Studios Inc.

by Yashi Davalos

February 20, 2024

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Archives, Essays + Reviews, Exhibitions
Rejecting Neutrality: Reparative Description at the Johnson Publishing Company Archive

by Jehoiada Zechariah Calvin

January 30, 2024

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Archives, Essays + Reviews, On Archives
Listening to Whales in Central Illinois: A Review of CETACEAN and Who Speaks for the Oceans?

by Jessica Hammie

January 17, 2024

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Essays + Reviews, Exhibitions, Sound, Film + Video
Weaving Melodies: A Review of Qianwen Yu’s Woven Symphony

by Yunyao Que

January 15, 2024

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Essays + Reviews, Exhibitions
An Angel With Her Wings

by Riley Yaxley

January 12, 2024

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Artists, Essays + Reviews
Pa’Lante

by Paloma

January 10, 2024

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Essays + Reviews
El Dolor Comunitario de O Death

by Sofia Sanchez Borboa

January 6, 2024

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Bilingual, Desde los archivos, Essays + Reviews, Happenings
Leaving the Dollhouse: On “The Writer,” Political Theatre, and Abandoning Institutions

by persephone van ort

January 5, 2024

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Essays + Reviews, Happenings
Communal Grieving at Santiago Quintana’s O Death

by Sofía Sanchez Borboa

December 18, 2023

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Essays + Reviews, Happenings
Shop ’til You Drop: A Review of Kokandy Productions’ “American Psycho: The Musical”

by Annette LePique

December 8, 2023

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Essays + Reviews, Happenings
Sister’s Whispers: Writing Nüshu in China, Writing Chinese in America

by Xiao Faria daCunha

November 30, 2023

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Bilingual, Essays + Reviews, Sixty Regional
Tracing Imperial Threads: Shelly Jyoti, Indigo, and Collectivity

by Mrittika Ghosh

November 20, 2023

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Essays + Reviews, Exhibitions