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Mother Bis: Six Poems by Ulrich Baer

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Inspired by the poetry of Zukofsky, Sobin, and Ronald Johnson, Ulrich Baer engineers a new language for queer expressions of desire and carves out, through language, an impossible location in the world.

Image: An illustration of a deer overlooking a cliff face and body of water. Purple crystal formations sprout from the deer's antlers. Illustration by Sammi Crowley
Image: An illustration of a deer overlooking a cliff face and body of water. Purple crystal formations sprout from the deer’s antlers. Illustration by Sammi Crowley.

These poems were selected through Sixty Literary, a biannual call for literary writing from writers and artists based in the Midwest. You can learn more about Sixty Lit’s inaugural call for writing here.


Mother Bis 

I.

Scores we were
inbed diamonds
in heat facet
incrusted liturgies
to surface
terrane re:
turn breaking, the shores fluted
we were
rivers end

barges the fording
deer

Stumblehoof ::
electrified planes

we will be edges to
silos, where you were
deposits

magnetic recording, recoding the substrate
fossil records in
-gathering

muzzles the lapsus
redacted
structure
in sentences inter
-rupted
the seed pods
un

/fold yr cartography

Music
strains when ascending
their reprisals slumped
sinking the groundwork we weather
away
still you re

Spires

III. The vault unrolled

thunder
graves,
here

IV. my mother like branches, I don't

tributary
spilled half
gone

I

“volvió a servir de sustento a las ruinas de una poética comprometida, híbrido anacrónico de corazón atómico y coraza medieval” 
-augusto de campos

Violin: Cage
Fingers passed thru
Diamond pulver
the lapping
Shores

Latitude

I. Tact, are you in
-tact You were my Archangel
of thought

Apocalypsis

Yr clef
I don’t
Touch, here

Horses un
-stable vistas I
went out to—

ideogrammar

you were / in-flected
facets

II…

III. Heteronomous

Miseryforests
You were a lattice after
dimensions

Saddled where
do estuaries
End
scraping

Trapping en
entelechy

Glaciating
Counterparts a
Tendu

The Laurel branches
Crown You
Seismicity

The Mountain belts
Rifted down
Faulting

Night plows
Nothing but it
Self

Image: An antlered deer skeleton overlooks a body of water and cliff face. Pine trees fill the background. A dark sky behind it all. Illustration by Sammi Crowley.
Image: An antlered deer skeleton overlooks a body of water and cliff face. Pine trees fill the background. A dark sky behind it all. Illustration by Sammi Crowley.
Come In Appellating 

I. Godblossoms
The scraping
And all hands were
looking for
You

II. Shuntself

Stone
Deafening
–Platforms of stars

Saltfires stud
Inflexible in
Surfacing
Reflections

But Heavy metals
Dream plates

III. A horse show
Beauty

Detuned

IV. Annunciates An Anarchitecture
You were
Loosing yr mooring

Unligated vowelssound
Hollow trying to

Ground : circuits
Sheet music / Eaten away
In florescence Decomposed
riverbranches We could
be time
signatures
Contra Angelsounds driven auracular
danses ///Comescreaming
Ferric
plates trans
form Intercalating

Mine.

V.

Surgesurgesurge

Lunar Wave 

I. Torn fringes You
clattered nimbus
to me
the mirror vaulted
likeness aureoles, the rim takes
cleaving un/
known

depth sounds:
internecine, topography frays
effigy the transforming end
plates

// the terrestrial overturn
still you?

Drowning the pellucid
edges the subjunctive, all my days were

Hyaline
/decay lakes

II. Feed back

III. pelagic grief

rutsrutsruts

IV. once known
unraveling

an alluvion, timebedded
the crests to
surface debris, waves rattled
plunging echelons
level in
drift tectonics, till plates
traverse harmonics

interval auroras
return: voices
You were

the overtones
transverse

–stay awake.
V. deerafterdeerafter

green river branch

deer, deer
come to

Image: An antlered deer approaches a cliff face overlooking a body of water. Pine trees fill the background of the image. Cattails are visible in the lower right corner. The deer's head is slightly bowed. Illustration by Sammi Crowley.
Image: An antlered deer approaches a cliff face overlooking a body of water. Pine trees fill the background of the image. Cattails are visible in the lower right corner. The deer’s head is slightly bowed. Illustration by Sammi Crowley.
Deer Raiders 


Proem.

Vertiginous outpost, I was
when returning

reflections you were
there you entered / the mirror skins you
sloughtime

I.
Flood lands the deer
rustle
Intertwined
sinew
Lace shadow
torrents

The resounding
inextricable
Steepnessing cliffs face / we will be
Lakeness

Sky vaults horizon lapses
The faulted earth re
Chorded its tension

Doesn’t transmit

Semblances cipher history
Selves

A latent symbl
Fr fire
Th stars rinse
Th empyrean

Glow like sanctuary
Recessed the infinite
Degenerescing
citadels

Don’t ever
Halterstep

II. Subterrestrial birds

But I thought we were digging up
Grave turf / & caving in
the openwork
Auscultated earth

III. hoof beatdown

Vertebral columns you collapse
a musical strain
grammatical
syncope—when she doesn’t
return

the Mississippi river

IV. tussocks comb
ripped yr hair
tides comb tufted
tussocks yr ripped
hair tides
floods you were

silt the tussocks eat
rip tides earth
deracinated
posies

I draft their ends

comeback auroral
tracing branches

Streamnoise—

Gables Melt 

I.Yr voice
Pitching ravines
Melt to

The pre ambles
You telegraph:

Mine. Engulfing
Sea/walls
borders don’t go

Tamping
Earth edges
Crushing verbiage

Glottalsong.
Heaping the nebulous in the slow Radii

Arch becoming

Garden hedges
are you
Green enough?

Chalking katabasis outlines
A littoral erosion
Denominators drowned
In an
Tiphony, you gathered
Tidal beds, the lichen dressed
A mineral body
Assemblage foliageheavy
Clustering sentinels

II. Shypny horizon

About the author: Ulrich Baer was born in Georgia and grew up beneath Southern power plants. He received his MFA from Brown University in 2017. He has published a poetry book with Red Hen (Deer Black Out, 2024), a science fiction chapbook with Essay Press (At One End, 2020), and a full-length book experimental fiction text with Apocalypse Party (Midwestern Infinity Doctrine, 2021). Two of his homoerotic space vampire books deconstructing Enlightenment Humanism will be out in 2025 on Inside The Castle Press and CLASH. He has been included in journals such as FENCE, Baest, and Afternoon Visitor. He loves horses, and lives in Paris, or anywhere, or more often nowhere. Email him about ufo sightings or other unexplained phenomena at ulrichulrichbaer@gmail.com.

About the illustrator: Sammi Crowley was born and raised in the rural suburbs of Detroit. She received her BA in Fine Art from the University of the District of Columbia and aims to create images where the viewer has the distinct sense of encountering a memory they thought they’d forgotten.

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