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January 14, 2024 ·

Image: Jenny Kendler and Andrew Bearnot, Whale Bells, 2019-ongoing, hand-blown ombré glass, miocene-era fossilized whale ear bones, cotton rope, and felt. Installation in a museum space with a frosted glass paneled wall as a backdrop. From the ceiling hang approximately fourteen ropes at the bottom of which are glass bell shapes. From the bells hang fossilized whale ears. The light is dramatic, and the bells are reflected in the shiny floor. Photo by Jessica Hammie.

Image: Jenny Kendler and Andrew Bearnot, Whale Bells, 2019-ongoing, hand-blown ombré glass, miocene-era fossilized whale ear bones, cotton rope, and felt. Installation in a museum space with a frosted glass paneled wall as a backdrop. From the ceiling hang approximately fourteen ropes at the bottom of which are glass bell shapes. From the bells hang fossilized whale ears. The light is dramatic, and the bells are reflected in the shiny floor. Photo by Jessica Hammie.

Image: Jenny Kendler and Andrew Bearnot, Whale Bells, 2019-ongoing, hand-blown ombré glass, miocene-era fossilized whale ear bones, cotton rope, and felt. Installation in a museum space with a frosted glass paneled wall as a backdrop. From the ceiling hang approximately fourteen ropes at the bottom of which are glass bell shapes. From the bells hang fossilized whale ears. The light is dramatic, and the bells are reflected in the shiny floor. Photo by Jessica Hammie.

Jenny Kendler and Andrew Bearnot, Whale Bells, 2019-ongoing, hand-blown ombré glass, miocene-era fossilized whale ear bones, cotton rope, and felt. Installation in a museum space with a frosted glass paneled wall as a backdrop. From the ceiling hang approximately fourteen ropes at the bottom of which are glass bell shapes. From the bells hang fossilized whale ears. The light is dramatic, and the bells are reflected in the shiny floor. Photo by Jessica Hammie.