Many youth performances go unnoticed unless you are related to the kids involved. In this comic strip, Carlos Matallana takes us to the youth dance recital at the McFetridge Sports Center.
About the artist: Carlos Matallana’s (He/Him) illustration tool is ink/pen on paper, He relies on high contrast and its expressionism qualities. Like an anonymous quiet observant, he prefers to illustrate his characters from the back. He enjoys illustrating full body characters standing or in movement, revealing attitudes and feelings through posture or even clothing instead of facial expressions. He published the graphic novel Brea https://manualofviolence.org/ in 2018. Instagram @tropipunk
Rebels with a cause enjoying A Dark Lord Day Festival at 3 Floyds Brewery in Munster, Indiana, among those without any idea what a cause is.
Tech and its evolution from tools to wearable devices, its nano privacy disruption, its future without us is presented in a dream from el Tío. A dream illustrated by Carlos Matallana in response to ‘Difference Machines: Technology and Identity in Contemporary Art’ at Wrightwood 659.
Sesenta presents a new addition to the bilingual comic series by Carlos Matallana. Arte has the power to evoke emotions in response to current war and genocides as the character Tío experiences while attending the Picasso exhibition at the Art Institute of Chicago.
An examination into the empowering culture and tension emerging from the long developing collaborative dance piece, Knockout.
El fotógrafo Mexicano, Cobalto es azul, captura La Celebración del día de la Independencia Mexicana en el barrio de La Villita, Chicago.
In a time not too long ago, in a city not so far away, the vandal must befriend forgotten legends and avoid cyber cops to get to finally paint his dream spot.