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October 9, 2021 ·

Image: (L-R) Nico Sardina, Here We Are All Up In Arms (Ultimate Henry’s Comfort Zone PT 2), 2021; Kieran Myles-Andrés Tverbakk, One And The Same But We Remember Differently, 2019; Beau Tate, Insubmission, 2021. Looking in from an adjacent room, three sculptures occupy a gallery space. The sculpture on the left is a small house, multi-colored and made of fabric. The center sculpture hangs from the ceiling and is made of colorful shredded pieces of paper. Twisted metal, white clay, and white fabric comprise the sculpture on the right. Photo by Michelle Caron-Pawlowsky.

Image: (L-R) Nico Sardina, Here We Are All Up In Arms (Ultimate Henry’s Comfort Zone PT 2), 2021; Kieran Myles-Andrés Tverbakk, One And The Same But We Remember Differently, 2019; Beau Tate, Insubmission, 2021. Looking in from an adjacent room, three sculptures occupy a gallery space. The sculpture on the left is a small house, multi-colored and made of fabric. The center sculpture hangs from the ceiling and is made of colorful shredded pieces of paper. Twisted metal, white clay, and white fabric comprise the sculpture on the right. Photo by Michelle Caron-Pawlowsky.

Image: (L-R) Nico Sardina, Here We Are All Up In Arms (Ultimate Henry’s Comfort Zone PT 2), 2021; Kieran Myles-Andrés Tverbakk, One And The Same But We Remember Differently, 2019; Beau Tate, Insubmission, 2021. Looking in from an adjacent room, three sculptures occupy a gallery space. The sculpture on the left is a small house, multi-colored and made of fabric. The center sculpture hangs from the ceiling and is made of colorful shredded pieces of paper. Twisted metal, white clay, and white fabric comprise the sculpture on the right. Photo by Michelle Caron-Pawlowsky.