04-table

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August 18, 2019 ·

Image: Andre Keichian, ‘Salt in the I’ (installation view), 2019. A series of negatives of Keichian’s family photographs adhered to the glass window. To the left, the entrance to Bellucci Johanson’s kitchen. To the right, A large black and white portrait photograph of a landscape mounted on wood curves against the base of the wall meeting the floor. Photo by Kim Becker. Image courtesy of Kyle Bellucci Johanson.

Image: Andre Keichian, 'Salt in the I' (installation view), 2019. A series of negatives of Keichian's family photographs adhered to the glass window. To the left, the entrance to Bellucci Johanson's kitchen. To the right, A large black and white portrait photograph of a landscape mounted on wood curves against the base of the wall meeting the floor. Photo by Kim Becker. Image courtesy of Kyle Bellucci Johanson.

Image: Andre Keichian, 'Salt in the I' (installation view), 2019. A series of negatives of Keichian's family photographs adhered to the glass window. To the left, the entrance to Bellucci Johanson's kitchen. To the right, A large black and white portrait photograph of a landscape mounted on wood curves against the base of the wall meeting the floor. Photo by Kim Becker. Image courtesy of Kyle Bellucci Johanson.