Image: Andre Keichian, ‘Salt in the I’ (installation view), 2019. A series of negatives of Keichian’s family photographs adhered to the glass window. To the left, the entrance to Bellucci Johanson’s kitchen. To the right, A large black and white portrait photograph of a landscape mounted on wood curves against the base of the wall meeting the floor. Photo by Kim Becker. Image courtesy of Kyle Bellucci Johanson.