Image: Andre Keichian, ‘Salt in the I’ (installation view), 2019. A large black and white portrait photograph of a landscape mounted on wood curves against the base of the wall meeting the floor. To the left, a series of negatives of Keichian’s family photographs adhered to the glass window. To the right, a series of the back, written sides of photographs placed across the corner of the room. Photo by Kim Becker. Image courtesy of Kyle Bellucci Johanson.