All posts tagged: Media Burn

Archivist Dan Erdma plugs a wire into equipment at Media Burn. He is surrounded by various equipment used for digitizing and playing different video formats. Photo by William Camargo.

Chicago Archives + Artists Project: Media Burn

The Chicago Archives + Artists Project (CA+AP) is an initiative that highlights Chicago archives and special collections that give space to voices on the margins of history. Led by Chicago-based writers and artists, the project explores archives across the city via online features, a series of public programs and new commissioned artwork by Chicago artists. For 2018, the Gaylord and Dorothy Donnelley Foundation has funded a series of pilot projects pairing three artists with three archives around the city: Media Burn + Ivan Lozano, the Leather Archives & Museum + Aay Preston-Myint, and the Newberry Library’s Chicago Protest Collection + H. Melt. This series of articles will profile these featured archives and artists over the course of their collaboration, exploring the vital role of the archive in preserving and interpreting the stories of our city as well as the ways in which they can be a resource for creatives in the community. The CA+AP Festival will take place at Read/Write Library on July 13-14. This interview has been edited for length. Click here to read the full, unabridged interview. Media Burn Archive, …

Preserving Celluloid Film: A Look at Archiving in Chicago

In 2011, visual artist Tacita Dean opened her exhibition “FILM” at the Tate Modern where she responded to the destruction of celluloid film. She exhibited a silent, 11 minute, 35mm looped film in the London museum. The exhibition set out to provide a physical display for viewers to see the difference between digital and celluloid. The history of the moving image, important to Dean, exhibited the richness in color and the power of the projection. The New York Times writes, “Like the vinyl long-playing record, the Polaroid camera and the manual typewriter, celluloid has attracted a generation of artists who have come of age in a digital world and have developed a nostalgic soft spot for analog.” I spoke to Dan Erdman, an archivist at the Media Burn, and Director Nancy Watrous from Chicago Film Archives, about the importance of preserving celluloid and the impact of film on history. No one ever claimed that film restoration was sexy. It’s granular. It’s a bit mundane. It’s lots of organizing and dusting off grimy surfaces. It’s protective gloves and …