All posts filed under: Essay

New Nepotism and What it Means to Curate Friends

Since I began writing about art in 2014, I’ve always had a personal rule that I would never interview a close friend for an article. Yet here I am, in 2018, breaking my own rule on new nepotism with Galia Basail and Nicholas Kinsella, two friends, artists, and curators. I spoke with each of them separately about their ideas on what it means to be a curator who curates friends and how this can help or harm a practice. András Szántó said, “The whole art world is woven together by personal relationships and friendships of one sort or another.” But when do friendships, and climbing a career ladder, become muddy, rinsed of any merit, and leave both artist and curator questioning creative intention? In the highly criticized article, “Friends Curating Friends” published on Newcity in  2013, Pedro Vélez wrote, “I cringe every weekend when I receive invites to see exhibitions curated by my friends’ friends. I do so because the people curating my friends are my friends too. Which means I must make an effort …

Walking Through Change with Deep Time Chicago

It’s an unseasonably warm December morning and I’m driving cautiously through a Chicago warehouse district, south on Ashland Avenue past an overpass of the Stevenson expressway. The slice of the interstate makes this patch of the city feel like a peninsula, jutting timidly into a convergence of two stretches of the Chicago River. My directions lead me down a small road innocuously named Marketplace Access, past the slick corporate bulk of the QTS Data Center campus, and I’ve arrived. I join a group of about forty light-jacketed companions at Canal Origins Park for a walk through the city’s history of timber extraction with Deep Time Chicago, a collective of ecology-minded artists who want to retrain our awareness to our surroundings, and the artists Sara Black and Raewyn Martyn, whose joint installation Edward Hines National Forest is on view at the Hyde Park Art Center. The park commemorates the point where the Illinois & Michigan Canal once connected the Great Lakes with the Mississippi River drainage basin. It’s an impressive sounding spot, but if I’ve ever …

Gettin’ Down With The Underground

“..this impulse of artists building spaces and communities for themselves and struggling with the relevancy of their discipline to a broader public has a long history.”—Abigail Satinsky, Introduction to Support Networks “Meaning becomes compensated through its connection to an infrastructure. The infrastructure provides a chorus of intentions that facilitate a more robust interpretive model.”—Nato Thompson, “Contributions to a Resistant Visual Culture Glossary,” The Journal of Aesthetics and Protest In the above quotes from Support Networks, editor Abigail Satinksy and contributor Nato Thompson extol the legacy of DIY creative collectivity and resourcefulness. There’s an old saying that “necessity is the mother of invention.” In the spirit of that adage, I chose to have a conversation with three leaders in Chicago’s bustling experimental performance scene, each of whom has made their own way, their own way. Marie Casimir is the Associate Director of Links Hall, Latham Zearfoss is the co-producer of Chances Dances, and Kevin Simmons is the Founder and Acting Executive Director of High Concept Laboratories. I offer the following article as proof that the title …