Author: row särkelä

FOLD/UNFOLD: Interview with Sam Fissell

Featured image: Sam Fissell is in a backwards crouching position on the floor with his back to the viewer. He is wearing tan trousers, a white tank top, and white shoes with a white cloth tied around the ankle. Photo by Ryan Edmund Thiel. FOLD/UNFOLD: fashion designers and artists on dress, tactics, community, and power in zhegagoynak/zhigaagoong (Chicago) and beyond. Sam Fissell’s light-washed apartment is sparse, modular, and neat. As a fashion designer, he has made the space feel ready for anything. Fissell’s approach gives a mix of precision and unpredictable intensity –  someone who gets things done, but who also wildly trusts collaborators and leans into the unknown. Talking to and witnessing Fissell, you can feel his commitment to process over product and to the relationships and inheritances that make fashion matter to begin with. Care emanates from him as he picks minute pieces of dust off a garment we’re documenting from his most recent collection, crossing his legs to showcase the white leather boots his friend made for the collection. He holds that …

Conspicuous Consumption: A Pop-Up Summer

Featured image: Jarrett Ellis, founder of hoopdreamstudios, in a pop-up at Congruent Space. Ellis is crouching down on a basketball court design that says “HOOP DREAM”. Photo by Dally Dew Drop. It’s late July in Chicago. Summer solstice has long since passed, the mask mandate has seemingly dissolved, and the in-person event has risen again from the ashes of lockdown. In a sudden lurch, a fantastical standard has been set: people with access and ability to be out and about will be out and about. Experiences will be had, and they will be exciting and valuable and make up for all the “lost” time of the pandemic. (Nevermind that the pandemic isn’t, indeed, “over,” or that “lockdown” never ends for people inside prison walls or otherwise forcibly disposed into ever-proliferating forms of criminalized life). This particular historical moment is being positioned by retailers and other state agents as an “out of the shadows and into the light” moment that celebrates an ostensible “return to normal” — an “after” crisis that urges people to exhale and …

FOLD/UNFOLD: Interview with Madeline Hampton

FOLD/UNFOLD: fashion designers and artists on dress, tactics, community, and power in zhegagoynak/zhigaagoong (Chicago) and beyond. When you first walk into fashion photographer Madeline Hampton’s apartment/studio, the number “27” painted on the entrance wall in chaotic white strokes doesn’t assert itself as separate from the overall industrial aesthetic of the space. It takes time to notice that this is a signal that Hampton, also known as “27,” lives and works here. It’s an uncanny and highly personal visual that feels appropriate for an artist who based a recent shoot around Yves Tumor’s feeling of licking an orchid.  Hampton makes cinematic fashion images that don’t so much attract you to double-tap, but instead compulse an ongoing encounter with the picture. Hampton’s power to interrupt the scroll culture of Instagram feels like a power coming from somewhere not quite here–an offering to feel otherwise through the medium of fashion photography. The colors hit somewhere in your jaw, the angles glimmer. It feels possible to be both here in the material body and moving in a dream dimension. …