Author: Nic Rueth

Featured image: “Body” Digital collage, risograph print by Whitney Humphreys. The piece shows an image of a woman with part of her face missing, revealing cyborg-like parts underneath. Underneath are various machine parts. The right side of the piece shows a robot arm and text that reads: "Robot brides that free themselves become a paradox: objects with agency". The piece is mostly pink, green, and tan. Image courtesy of the Internet Archive.

When Archival Bodies Collide: Rupturing Gender Through History

Artists have always relied on the archive and material history in their work, whether it be in the emulation of a specific style, the expression of a historical moment, or in a particular medium such as collage. The practice of exhuming images from archives necessarily carries these histories and styles along with it, no matter what the artist might attempt otherwise. But they can also refigure old art by placing it in conversation or contradiction with the new. Two artists, Whitney Humphreys and Sarah Tyschenko, are performing such insightful and disruptive reconfigurations with images of gendered bodies from the archive. I discovered San Francisco-based artist Whitney Humphreys’ zine series Gendered Machines a couple months ago, after I was browsing the Internet Archive—a free, digital library of websites and digital materials—looking for zines. I came upon her series, a collaboration with the Internet Archive and Tiny Splendor Press, and requested a copy of each zine, not thinking much about it until they arrived a few weeks later in all their risograph beauty. Humphreys told me she …