In her exhibition Color Cast, Anna Kunz approximates an experience of the world from the inside of a color field painting. The artist has draped the soaring central gallery of the Hyde Park Art Center with gauzy fabrics painted in a mottled palette of primary and secondary colors. The textiles echo—and in some cases directly index—a series of mural-sized wall paintings and paintings on the floor and in the corners and doorways, gently immersing viewers in a multisensory experience of color. Pulling apart paint and ground, color and surface, Kunz’s installation opens up physical and psychic space in which to consider the haptic, affective qualities of abstract painting. It also gestures towards the medium’s embeddedness in social relations and ability to reconfigure them in small but meaningful ways. Enchanting as its visual pleasures are, Kunz’s work is grounded in a rigorous concern for process. The wall paintings are actually monotypes of a sort; Kunz made them in situ by applying large pieces of porous, meshy fabric directly to the walls, then overpainting them with delicate …