All posts tagged: sexuality

Intimate Justice: Vesna Jovanovic

“Intimate Justice” looks at the intersection of art and sex and how these actions intertwine to serve as a form of resistance, activism, and dialogue in the Chicago community. For this installment, we talked to Vesna Jovanovic via email about medical illustrations and the act of drawing.  S. Nicole Lane: I think I saw your work a few years ago actually (I think at the Museum of Surgical Science?), and recently stumbled upon it again thanks to the internet. I’ve been interested in your attention to bodily subjects. Can you discuss how your work relates to sex and anatomy and why those topics interest you? Vesna Jovanovic: My focus on bodily subjects developed slowly over time. Many years ago, at SAIC, I took an experimental drawing class with Barbara Rossi. She asked us to create something along the lines of a Rorschach test and then draw directly on top of the inkblot. I was working a day job in an R&D laboratory at the time, so my mind was saturated with lab equipment and glassware. …

Intimate Justice: Cameron Clayborn

“Intimate Justice” looks at the intersection of art and sex and how these actions intertwine to serve as a form of resistance, activism, and dialogue in the Chicago community. For this installment, we talked to Cameron Clayborn in his Bridgeport live-work studio space about popcorn ceilings, inner dialogue, and letting your freak flag fly.  This interview has been edited for length and clarity.  S. Nicole Lane: Are you from Chicago? If not, how did you end up here? Cameron Clayborn: I’m from Memphis. I was born in Pine Bluff, Arkansas, and then my parents moved me to Memphis. SNL: Cool. And do you live in Bridgeport? CC: Yeah. So this is a live-work space. Everyone who has a space here works here, except for one person. But she’s awesome. So she lives around the corner. SNL: And what did you study at SAIC? CC: I studied sculpture and sometimes sound. I never took a performance class except for one time, which was about the practicalities of being a performance artist. I don’t know, it just never felt …

Intimate Justice: Hyegyeong Choi

“Intimate Justice” looks at the intersection of art and sex and how these actions intertwine to serve as a form of resistance, activism, and dialogue in the Chicago community. For this installment, we talked to Hyegyeong Choi in the summer over the phone about friends with benefits, violence in sex, and to formality in painting.  This interview has been edited for length and clarity.  S. Nicole Lane: You’re new to New York, but can you maybe talk about the city and the community there and if it differs any way from what you experienced? Hyegyeong Choi: Sure. I had such a strong community in Chicago from grad school at SAIC in Chicago. It was like a family environment. I know or see a lot of people whenever I go to openings. When I moved to New York, I only knew a few people here. My best friend, Seth Stolbun, who is also my collector said “It’s the same thing. You will know everyone since it’s a small world like you had in Chicago.” I had a …

If You Want to Watch, You Can Watch: A Conversation with Multimedia Artist Heather Raquel Phillips

In Heather Raquel Phillips’ videos we are so very close. But we rarely get the full picture. Instead, we sense our way. We feel what we are meant to know, despite, or because of, the ambiguity. It is familiar, yet private. We cannot, would not, transpose ourselves onto or into another’s moment. But we watch, transfixed, sometimes trapped up close, sometimes lingering, our desires holding us rapt. Eyes closed, a grimace, then a small smile, as someone takes an electric clipper to another’s head and shaves it clean. Eyes closed, relaxed, stroking hair to the lull of R&B. The gentle touch of a manicured hand against the neck, the other confidently guiding the razor along the scalp. They bend forward as the razor tickles the nape, moving with the grain of their body in response to another’s structured guidance. Tongues ecstatically licking lips, devouring in anticipatory delight. Bodies gleeful with expectation, awaiting their punishment. Phillips, a mixed race artist living and working in Philadelphia, explores the intersections of race, class, gender & sexuality through the …

Featured image: Maggie Robinson and Allison Sokolowski performing in “I Am” at the Chicago Danztheatre Auditorium, as part of the Body Passages culminating event. Maggie balances with one foot, knee, and hand on the floor, as Allison stands on Maggie’s lower back. The performers hold each other’s left hands and look at each other. Both are barefoot and wear white t-shirts and jeans. Behind them is a well-lit stage, with a string of colorful paper suspended across it. Still from a video by John Borowski.

Body Passages: Culminating Collaborations

This is the fourth and final article in a series about Body Passages, a partnership between Chicago Danztheatre Ensemble and The Chicago Poetry Center (the first, second, and third pieces can be found here). These articles provide brief looks into a 10-month, interdisciplinary creative process between Body Passages poets and dancers, documenting and reflecting on aspects of that process as it happens. Launched in 2017, Body Passages is an artist residency and performance series curated and produced by Sara Maslanka (Artistic Director of Chicago Danztheatre Ensemble) and Natasha Mijares (Reading Series Curator of The Chicago Poetry Center; Natasha also writes for Sixty). Trigger warning: The performance “Blood Memory,” discussed below, contains references to sexual assault, including in childhood. During a culminating event featuring groups’ final performances, the Body Passages artists offered the audience sugar cereal, sparkling cider, and glowsticks; invited us to dance with them and record ourselves reading their poetic curations; and asked us to travel back in time with them to New Year’s Eve 1998. Especially appropriate given Body Passages’ collaborative focus and …

Intimate Justice: Anna Showers-Cruser

“Intimate Justice” looks at the intersection of art and sex and how these actions intertwine to serve as a form of resistance, activism, and dialogue in the Chicago community. For this installment, we talked to Anna Showers-Cruser in her McKinley park studio about queer identity, relationships to experimentation, and Southern hospitality.  S. Nicole Lane: I’m really excited to interview you because, obviously, I love your work. Where are you from? Anna Showers Cruser: I’m from Richmond, Virginia, and my family’s from southwest Virginia and we hail from Appalachia also. And I went to MICA for undergrad in Baltimore and lived there for a while. And then went back to Richmond, kind of was interested in that small-town or Southern city kind of art scene there, but I definitely kind of wanted to go to a bigger city for grad school. I went to UChicago and that was a cool program because it’s small and interdisciplinary but, as you know, part of a larger institution. So that allowed me to do a lot of play and exploring in my …

Intimate Justice: Marzena Abrahamik

“Intimate Justice” looks at the intersection of art and sex and how these actions intertwine to serve as a form of resistance, activism, and dialogue in the Chicago community. For this installment, we talked to Marzena Abrahamik about women in the cannabis industry, friendship, and sisterhood.  S. Nicole Lane: What brought you to Chicago? How has the community influenced your practice? Marina Abrahamik: I was born in Poland, raised in Greece, and arrived to Chicago at the end of the summer before my freshman year of high school. I went to a Catholic high school in the city for a year and then to a public high school in the suburbs. I went to Loyola for my undergrad and then attended SAIC before grad school. Having the opportunity to experience different cultures and neighborhoods made me outgoing, easygoing, and independent but also awakened a curiosity for the unknown and to love open ended questions. In a similar way, each body of work is composed of photographs that have been made not only in various locations, but also in …

Intimate Justice: Leah Ball

“Intimate Justice” looks at the intersection of art and sex and how these actions intertwine to serve as a form of resistance, activism, and dialogue in the Chicago community. For this installment, we talked to Leah Ball about erotica for the self, the role of the artist, and the documentation of pleasure in her Humboldt Park studio.  This interview has been edited for length and clarity. S. Nicole Lane: Can you discuss the basic groundwork for combining ceramics with sexual, sensual images and text? Leah Ball: At a young age I was super impressed that my dad could draw a realistic looking human from memory. I have no idea why, but as a kid I thought that was magic—so I practiced and practiced to do the same. I think the reality is that I have been trying to reclaim my body since as far back as I can remember. I have been sexualized my whole life. These moments are some of my most vivid memories, so I always revisit themes of reclamation in my work. I think that’s …

Chicago Archives + Artists Project: Leather Archives and Museum

The Chicago Archives + Artists Project (CA+AP) is an initiative that highlights Chicago archives and special collections that give space to voices on the margins of history. Led by Chicago-based writers and artists, the project explores archives across the city via online features, a series of public programs and new commissioned artwork by Chicago artists. For 2018, the Gaylord and Dorothy Donnelley Foundation has funded a series of pilot projects pairing three artists with three archives around the city: Media Burn + Ivan Lozano, the Leather Archives & Museum + Aay Preston-Myint, and the Newberry Library’s Chicago Protest Collection + H. Melt. This series of articles will profile these featured archives and artists over the course of their collaboration, exploring the vital role of the archive in preserving and interpreting the stories of our city as well as the ways in which they can be a resource for creatives in the community. The CA+AP Festival will take place at Read/Write Library on July 13-14. For this installment, we sat down with Mel Leverich, the archivist …

Intimate Justice: Amanda Joy Calobrisi

“Intimate Justice” looks at the intersection of art and sex and how these actions intertwine to serve as a form of resistance, activism, and dialogue in the Chicago community. For this installment, we talked to Amanda Joy Calobrisi about the confrontation of a body, ending war by lifting skirts, and Boudoir photographs in Amanda’s Pilsen apartment over donuts.  This interview has been edited for length and clarity. S. Nicole Lane: What brought you to Chicago? Amanda Joy Calobrisi: I went to SAIC for graduate school. So Charlie and I moved out here for that. It was a big move. It’s scary, to move states. It’s really intense, there’s something of course exciting about it but it’s also kind of scary. And my mom—I grew up with a single parent—so it also felt like I was abandoning my family. That was kind of huge. But once we got here, we were pretty excited to be out of Boston. I don’t think we realized how settled we were there, not because we wanted to be but because it was comfortable. SNL: Yeah, and the …

Intimate Justice: GLAMHAG

“Intimate Justice” looks at the intersection of art and sex and how these actions intertwine to serve as a form of resistance, activism, and dialogue in the Chicago community. For this installment, we talked to GLAMHAG (née Molly Hewitt) in the Pilsen neighborhood about compulsions, empowerment through a chosen identity, and queer sexual narratives.  S. Nicole Lane: What does performance mean to you? Are you always in character? Who are you right now? GLAMHAG: I guess I’ve always been compelled to perform in my work, whether that’s live performance or in my video work. I think it’s really a compulsion. I do feel that with the kind work I’m making, communicating with my body when it’s so much about my body—other bodies—and sexuality, using my body makes the most sense. I do definitely have a compulsion to perform. And then I also do things that come along with a lot of other performers too, I definitely have exhibitionist tendencies. I like attention. SNL: Where are you from originally? GH: I’m from England originally, I was born in London. …

Intimate Justice: Derrick Woods-Morrow

“Intimate Justice” looks at the intersection of art and sex and how these actions intertwine to serve as a form of resistance, activism, and dialogue in the Chicago community. For this installment, we talked to Derrick Woods-Morrow in his studio about childhood romance, the inherent racism in photography, and how power operates in sex.  S. Nicole Lane: So let’s start with where you’re from. You’re from North Carolina, like me. Derrick Woods-Morrow: Yeah! I went home last summer and there was a confederate parade. It was pre-Trump. It was right before the election or something, and it was 8 men with rifles and confederate flags walking up and down the highway shouting and marching. I live on the North East Side, closer to Brown Summit, so closer to the country. It’s almost like I grew up with that. That didn’t scare me. Charlottesville, which is considered mostly progressive is sort of scarier in a way, but that behavior [in NC] was like, “Oh who are these idiots, they’re probably the cousins of someone I went …

Build, Break, Repeat: An Interview with HOGG

To experience a live HOGG set is mesmerizing and terrifying. Over bass lines that pulsate, H and E* growl, howl, crawl, laugh, scream, and slam their bodies onto unsuspecting instruments. And then they stand still—so still, for so long. These movements are methodical and choreographed as they swap instruments that include bass, guitar, a floor tom, electronic samplers and drum machines. When I think of HOGG I think of my best friend. Around the time when we first saw HOGG play, we were also making music together, and we cared deeply about ecstatic, physical performances. It was moving then, and almost a relief, to see another pair of musicians dedicating their whole selves and bodies to that end. HOGG has three studio records to date (“Solar Phallic Lion,” Scrapes, 2016; “Carnal Lust & Carnivorous Eating,” Rotted Tooth Recordings, 2016; “Bury the Dog Deeper,” Nihilist Records, 2015), with a fourth album set to be released this spring. Like the live performances, their lyrics evoke embodiment, horror, sensuality, and psychology. HOGG occasionally collaborates with other artists, such as the dancer Eryka Dellenbach and …