All posts tagged: Musician

Composition and Improv: Interview with William Pearson

This is an excerpt from Sight Specific’s interview with sound artist William Pearson. Presented through Sixty Regional. In partnership with pt.fwd, a new series of contemporary music and sonic arts performances featuring new work by local and regional artists in Bloomington-Normal, Illinois, Sight Specific will be publishing conversations between the featured artists and pt.fwd director Eddie Breitweiser. William Pearson (Champaign-Urbana, IL) will be performing on Saturday, May 4, 2019 at 8pm at the McLean County Arts Center. All pt.fwd performances are free and open to the public. Follow pt.fwd on Facebook and Instagram for more information, including upcoming performance dates. Eddie: Part of the charge of pt.fwd is to find a diverse group of local and regional artists and musicians and to challenge them to bring something new to an open-minded audience. Would you mind speaking a bit about your background, your practice, and historically what we’re going to be hearing? What have you prepared for us and how does it both relate to your practice as a whole and indicate where you’re going next? Will:  Yeah. …

Featured image: Udita Upadhyaya at the book release for “nevernotmusic,” at TriTriangle. The artist leans over a table, looking down as she writes in gold pen inside a copy of her book. Next to her is another copy, open to its centerfold, where gold thread is visible. The artist wears a light-colored, textured sweater. Photo by Caleb Neubauer.

Beyond the Page: Udita Upadhyaya’s “nevernotmusic” (the book)

“Beyond the Page” digs into the process and practice of writers and artists who work at the intersection of literary arts and other fields. This interview is the third of three with interdisciplinary artist Udita Upadhyaya about “nevernotmusic” — a solo exhibition of scores activated by curated, collaborative performances — and her process of developing these scores into a book (the first and second interviews are online). After the book’s release in September, I met with Udita to reflect on the book, the process of creating it (and personalizing each copy), and the connection between music and grief in her work. Get a copy of the limited edition book by contacting Udita. Find @uditau on Twitter and Instagram. This interview has been edited for length and clarity.   Marya Spont-Lemus: How are you feeling about Saturday’s book release event? Udita Upadhyaya: I’m still processing, but I am feeling good. It was great to see the book in its final form. The book is really beautiful! I have not spent enough time with it yet, but …

Front-woman: A Look at Fran

I first saw Maria Jacobson from Fran play over the summer at The Hideout. Her voice, which I had previously only heard on Bandcamp, was atmospheric. It was natural. Her lyrics, empathetic and encapsulated with raw emotion and narrative, were something I could cry to. In short, I’ve been trying to pencil as many Fran shows into my calendar ever since. I met Maria in Humboldt Park, where we chatted about where she is going and what she is doing since picking up music a year ago. S. Nicole Lane: You studied theater, right? Maria Jacobson: Yeah, so I went to school for acting—for theater—and was pretty set on being an actor when I moved back home [Chicago], and did it for a year. I did musical theater growing up, so I have a strong singing background, and also studied some music in college—sort of broadly. I was the singer in bands—in high school and college—but never had a personal songwriting practice. I was trying to be an actor for a year, and then two year ago I got an …