All posts tagged: Museum of Contemporary Art

Intimate Justice: Oscar Chavez

 “Intimate Justice” looks at the intersection of art and sex and how these actions intertwine to serve as a form of resistance, activism, and dialogue in the Chicago community. For this installment, we talked to Oscar Chavez in Pilsen about internet trends, the body as a commodity, and tube tops.  This interview was edited for length and clarity.  S. Nicole Lane: Where are you originally from and how did you get to Chicago? Oscar Chavez: Born and raised in Chicago actually. I am from the South Side. So, I grew up in the South Side. I definitely don’t wanna stay in Chicago. But I think being a young artist in Chicago is amazing and there are so many benefits that you can work with. SNL : How has Pilsen community contributed to your practice? OC: I mean, I just moved here so I am still exploring. I moved a block from Textile Discount Outlet which has really been turning me up. I am there every morning and have been sewing so much. So that’s been a huge effect …

November Art Picks

Our Art Picks are created in collaboration with The Visualist, Chicago’s leading visual arts calendar, and cross-promoted through Windy City Times, one of the longest locally-published LGBTQ weeklies with a national reach. This is a growing list, so check back often for new additions. Throughout 2018 we will be highlighting exhibitions and events that are part of Art Design Chicago , a year-long celebration of the unique and vital role Chicago plays as America’s crossroads of art and design, creativity and commerce, organized by the Terra Foundation for American Art. As part of an editorial partnership with Illinois Humanities, Sixty will also be highlighting events that are part of Envisioning Justice , a 19-month project that looks into how Chicagoans and Chicago artists respond to the the impact of incarceration in local communities and how the arts and humanities are used to devise strategies for lessening this impact. November Art Picks Thurs, Nov 1, 11am Art Against the Flow Summit  Ace Hotel Chicago: 311 N Morgan St, Chicago, IL 60607 Free Thurs, Nov 1, 2-4pm Chicago New Media Symposium  Gallery 400: 400 S Peoria St, Chicago, IL 60607 Free Thurs, …

Claire Cunningham and Jess Curtis, The Way You Look (at me) Tonight. Photo: Robbie Sweeny.

“Radical Hospitality”:
Relaxed Performances on the MCA Stage

Chair or floor cushion? I decided to make myself comfortable in a chair on the corner of the stage—in the midst of the action, but removed enough to observe much of what was happening at the edges of the space. This performance of Claire Cunningham & Jess Curtis’ The Way You Look (at me) Tonight was certainly relaxed. Escorted to stage level, the audience was invited to sit directly on the stage in clusters of chairs and cushions, and prompted to make themselves at home, even remove their heavy winter boots if they were so inclined. After explaining what to expect, Cunningham and Curtis—acclaimed international theatre and dance artists—set into motion a “collage of dance, song, and text.” For roughly 100 minutes, the audience was treated to a show pendulating between humorous yet poignant moments and more classical performance segments of dance and song. (You can see a clip here). Though classical might be the wrong word, as Cunningham and Curtis’ work itself questions what we consider classic or traditional, playing with romantic ideals, gender …

Review: “Woman With A Camera” at the Museum of Contemporary Art Chicago

When I go to an art museum, I tend to be the type of person that stays a few hours too long. I arrive at the museum when it opens, and leave when it closes. Although most visitors do not put themselves through this rigorous stampede of images that for me always ends with an exhausting—but nevertheless satisfying—experience, most art museum-goers can relate to this kind of visual fatigue that often comes with the occasional visit, no matter how enjoyable the art. This is how I felt when I came across the breath of fresh air that was the exhibition Woman with a Camera at the Museum of Contemporary Art (MCA) last month. The exhibition was located on the fourth floor of the museum, and I stumbled up the stairs to find an intimate, yellow space filled with photographs from powerful female icons on the forefront of photography such as Marina Abramović and Laurie Simmons, alongside work by artists I did not recognize, but will not soon forget. I was both pleasantly surprised and struck by the …

Collected Histories: “Open 24 Hours” by Edra Soto

Edra Soto has transformed the Commons at the Museum of Contemporary Art (MCA) with her work Open 24 Hours into a beautiful place filled with remnants of histories that gives birth to transcultural discourse and new meaning. Fittingly, Soto’s culturally charged work is the inaugural project for this new “civically engaged space” at the MCA. As I walk in to the Commons to attend Edra Soto’s artist talk, there are installations of intricately designed, custom-made display structures that stand like pillars, shelf after shelf holding up empty bottles of all different shapes and sizes; the translucence of the greens and browns of the bottles providing a striking contrast to the opaque white of the shells that adorn their surfaces. Edra Soto informs the audience that she collected these bottles, and continues to do so, in her neighborhood of East Garfield Park. She picks them up, washes them, removes their labels—she cares about these bottles as objects. She sees something in them. They are not pieces of trash to be discarded and forgotten, they are pieces …

Lynne Warren on the Contemporary Art World, Chicago, and the MCA

Lynne Warren, Curator at the Museum of Contemporary Art Chicago (MCA), is a true pioneer in the field of contemporary art. Her innovative and thoughtful approach to her work is demonstrated in the major shows she’s spearheaded for the museum, such as Dan Peterman: Plastic Economies in 2004; Alexander Calder: Form, Balance, and Joy in 2010, and Modern Cartoonist: The Art of Daniel Clowes in 2013, just to name a few, as well as the numerous essays and books she’s published. As Lynne transitions to adjunct status at the MCA, we caught up with her to delve deeper into her expansive achievements and unique path in the art world. Emily Breidenbach: Thank you so much for meeting with me. Let’s start out with a little bit about your background—where you grew up and things of that nature. Lynne Warren: Yes, my background, which is very much in the background at this point in my life, is a kind of interesting one. I was actually born on the East coast but my father moved the whole family, and I’m …

Interpreting Faye Driscoll’s “Play”: The Art of Audio Description and ASL Interpretation

None of the typical rules of a play apply here. Then again, when you come to a performance at the Museum of Contemporary Art Chicago, you aren’t really expecting typical, are you? Play is the second performance in a series called Thank You For Coming, created by Bessie Award–winning director and choreographer, Faye Driscoll. This performance “uses the ritual of storytelling to explore our reliance on stories to relate to one another and form identities as individuals and citizens.” What begins as a communal audience-participation on stage quickly delves into a parody of an absurd theater act. Employing multiple meanings of the term “play,” the cast performs a drama but an allowance for improvisation leaves room for the actors to engage in the more fanciful version of “play” as well. Play is also atypical in its breaking of the fourth wall. Not only does a sound engineer remain on stage, occasionally being called into the action, but Driscoll herself joins the cast. At times she is grabbing props or directing the actors, as if it were a rehearsal …

EXPO CHICAGO // An Interview with Tony Karman

This week, the art world’s glitterati will descend upon Chicago for a new contemporary art fair: Expo Chicago, The International Exposition of Contemporary/Modern Art & Design. Occupying Navy Pier’s colossal Festival Hall, the fair showcases a selection of top tier galleries—capped at 100—from around the globe. Also included are EXPOSURE, a section comprising younger galleries; IN/SITU, a presentation of large-scale installations and site-specific and performative works; the conclusion of /Dialogues, a series of panel discussions and conversations; and a VIP Program. Designed by the architecture studio of luminary Jeanne Gang, the fair’s floor plan mimics Chicago’s grid system, boasting gallery-lined streets that allow visitors to view everything in sequence without losing their way, as well as a diagonal avenue on which visitors can view select exhibits and installations. Hanging from the hall’s high ceilings are mammoth mirrored cones. While many may be curious as to whether Chicago can live up to the challenge of hosting such an event, some involved in the lively local art scene have a separate concern: Can the fair get out-of-town …

One State Together In The Arts | James Goggin, Director of Design at MCA Chicago

  “James is one of the most recognized and distinctive graphic designers of his generation.” – Madeleine Grynsztejn, Pritzker Director, Museum of Contemporary Art At the end of May, Sixty Inches From Center attended the One State Together In The Arts Conference in Bloomington, Illinois. (See the photos taken at the event here) Every two years state-wide artists, educators, arts advocates, arts organizers and arts organizations come together in a different city to exchange ideas, share experiences and get to know the people doing great things in the arts throughout Illinois.   Around the theme Creative Breakthrough, presenters in the fields of design, music, poetry, theater and more offered their insights on what it has taken for them to take their ideas to new heights, push further and apply what they’ve learned to how they will move forward. To do our part in spreading the wealth of information found at the conference, Sixty Inches From Center requested permission to post the videos from One State Together In The Arts on our site.  The following text and videos are …

Jettison Quarterly Revisions Art and Culture

Jettison Quarterly is an online publication that features art and culture in Chicago. Like Sixty, Jettison documents and features interesting stories that are not always covered by other more ‘mainstream’ publications. In addition to that, Jettison bring to the table full-length features—because it is okay to actually spend time reading about Chicago’s rich cultural scene and not just soaking up small tidbits. We’ve been following Jettison since its inception and finally had the opportunity to put them under their own disco ball; they always display one at most of their events. PR Assistant, Meredith Weber, and Co-Founder, Emanuel Aguilar, both took a moment to talk about the publication. Nicolette Caldwell: How long have you been a part of Jettison and what is your role? Meredith Weber: I have been the PR Assistant since Fall 2010. We joke at Jettison that I want to be referred to as the FACE, but I do take promotion of Jettison very seriously. I believe whole-heartedly in the project and people behind it. Emanuel Aguilar: I was one of the …

Duncan Mackenzie at the 2010 CAA Conference

Duncan Mackenzie, wears many hats. Along with being a professor of fine art at Columbia College Chicago, he is a practicing artist and also collaborates on a weekly podcast and blog called Bad At Sports (how great is that title for an art blog/podcast?!). This collaborative project offers informative, revealing and incredibly entertaining reviews and interviews with everyone in the arts–from curators to individual artists to art publishers to arts advocates, and everyone in between. Once I discovered this blog, it quickly become a regular on my iPod. In addition to this, somwhere between all these things, Mackenzie works on various other collaborative projects. This brief interview gives you a snapshot of his world which includes national developing projects and words of wisdom, with a touch of that Duncan Mackenzie humor. Take five minutes for these ten questions–you’ll be happy you did! 1. Briefly tell me about yourself. What is your current role in the arts and how did you get there? Artist, Journalist, Educator, “Conversation-ist,” and person of questionable virtue and foolish commitment. 2. Is …