All posts tagged: Jessica Hammie

Installation view of Men of Change. The installation made of metal poles is in the middle of the room. Light boxes of various sizes featuring photos and text are hung on the metal poles. A large display box in front of the installation features a poster that reads STORYTELLERS. Along the walls of the room are paintings and other artworks, most of which are obscured by the metal pole installation in the middle of the room. A woman stands in front of the light box installation, looking at the installation. Photo by Phil Armstrong. Photo courtesy of the Smithsonian Institution Traveling Exhibition Service.

Have you seen them? “Men of Change” at the National Underground Railroad Freedom Center

“Have you seen them? You see them. Bold. Powerful.         Tragic. Beautiful.                 And true. They are icons with warrior roots. They are trees of knowledge. Legends of the past, inspiration for the future, the fierce energy of now.” The introductory text to “Men of Change: Power. Triumph. Truth.” paints a picture of what you can expect within the two rooms containing the ambitious exhibition. “Men of Change” highlights the accomplishments and legacies of black American men through text, photography, and artwork from twenty-five American artists. The changemakers — some long gone, many still alive — were paired with artists who made artwork related to, about, or honoring them.     The exhibition is organized by the Smithsonian Institute Traveling Exhibitions Services (SITES), and will travel to ten locations over the next three years. It debuted at the National Underground Railroad Freedom Center in Cincinnati, Ohio, and is on view until December 1, after which it will head to the Washington State History Museum in Tacoma, Washington. WeShouldDoItAll (WSDIA), a Brooklyn-based design studio responsible for the “Making A …

Image: Damian Duffy sits at a table in a brewery and works at a laptop computer. In front of his computer are paperback copies of Octavia Butler’s “Parable of the Talents”, an advanced reader copy of his graphic novel adaptation of Butler’s “Parable of the Sower”, and an open notebook with sketches. An empty beer glass is set to the side. Photo by Jessica Hammie.

Writing Comics We Want to Read: An Interview with Damian Duffy

If you’ve been paying any attention to pop culture lately, you’ve noticed that we’ve become enamored of comics and graphic novels. Like most media, the authors and subjects have been predominantly white, and it’s hard to remember that there are other stories being told. As comics become more mainstream, there’s an opportunity to expand the genre to feature different voices through authorship, artistry, and subjecthood. The inherent collaborative nature of comics—artist working with author, most simply—makes it ripe for bringing like-minded individuals together to manifest a story not yet pictured. This summer, I had a beer with comics author and artist Damian Duffy. Duffy is an Eisner-award winner (that’s the prestigious award handed out by Comic Con International in San Diego), and a New York Times bestselling author. With artist John Jennings, Duffy is the co-author of “Black Comix” and “Black Comix Returns” and the adapter and author of “Kindred: A Graphic Novel Adaptation,” the first visualization of celebrated author Octavia Butler’s work. He’s also the adapter and author of the forthcoming graphic novel adaptations …

Time, bodies, and objects: An Interview with Guen Montgomery

Champaign-Urbana is home to a multitude of artists and creative people. The visual arts community in C-U is one that can, broadly speaking, be divided into three groups: local artists with no institutional affiliation; faculty, staff, and students at Parkland College; and faculty, staff, and students at the University of Illinois at Urbana-Champaign. As a whole, they generate a vibrant intellectual and creative energy not often found in other similarly sized cities. The University of Illinois at Urbana-Champaign’s School of Art + Design has nationally and internationally recognized faculty working in all media, but there aren’t very many opportunities to spend time with faculty artwork here in C-U. As faculty at a research-focused institution, they regularly have successes at the national and international levels. The combination of only a handful of exhibition spaces in C-U, and the university’s encouragement for non-local exhibitions and lectures, makes it common to know someone fairly well but have a very hazy sense of their creative work and research. I first met multimedia artist and UIUC Teaching Assistant Professor Guen …