All posts tagged: forum

Body Passages: Exploring Visual Art with Poets Lorraine Harrell and David Nekimken

This is the second article in an ongoing series about Body Passages, a partnership between Chicago Danztheatre Ensemble and The Chicago Poetry Center (the first is here). This series gives brief looks into a 10-month, interdisciplinary creative process between Body Passages poets and dancers, documenting and reflecting on aspects of that process as it happens. On an afternoon in early May, I showed up to watch an “open rehearsal” at the Chicago Cultural Center’s dance studio only to find myself a participant. This opportunity became even more exciting when the people I was there to see—Lorraine Harrell and David Nekimken, two delightful and effervescent poets who were in residence through Body Passages—invited me to join them as they sought inspiration and inputs in the galleries. We spent an hour together exploring the Cultural Center’s first-floor exhibitions, as the pair shared their observations and perspectives about visual artworks, made connections to their own lives and practices, and generated ideas for a joint creative project—an interdisciplinary, in progress work, prompted by their participation in Body Passages. A …

Featured image: This is a photograph of a group of people in a dance studio, sitting in a circle of chairs. Some people have their backs to the camera, and other people are shown straight-on or in profile. The two chairs nearest the camera are unoccupied, creating a window to the speaker, a man holding a microphone. Photograph by Hannah Siegfried.

Body Passages: Poets and Dancers Discuss Collaborative Processes In Progress

This is the first article in an ongoing series about Body Passages, a partnership between Chicago Danztheatre Ensemble and The Chicago Poetry Center. This series gives brief looks into a 10-month, interdisciplinary creative process between Body Passages poets and dancers, documenting and reflecting on aspects of that process as it happens. Launched in 2017, Body Passages is the brainchild of co-founders Sara Maslanka (Artistic Director of Chicago Danztheatre Ensemble) and Natasha Mijares (Reading Series Curator of The Chicago Poetry Center; Natasha also writes for Sixty). This innovative, interdisciplinary partnership brings together artists of various forms—poets and dancers, ostensibly, but many with practices extending beyond those bounds—over the course of 10 months to create original, collaborative work engaging language and movement. The 2018 cohort is comprised of 14 broadly diverse artists at different points in their artistic growth, who are together interrogating this year’s theme—“Activation”—and developing new work in response. Following December auditions, their process formally began in January when selected poets and dancers were assigned into groups and will officially conclude in October with final …

This is a photograph of three copies of the book “Brea,” against a light background. Two lie flat in the left side of the frame, front cover and spine visible, and the third is upright, with only the front cover showing. The front cover image is an ink illustration of a young boy in close-up, straight-on, showing his face, chest, and parts of his arms. He wears a long-sleeved shirt and his hands are flipped upside-down over his eyes to form goggles, of sorts, with each thumb and forefinger. Courtesy of the artist.

Beyond the Page: Carlos Matallana

“Beyond the Page” digs into the process and practice of writers and artists who work at the intersection of literary arts and other fields. In March, I was honored to interview artist and educator Carlos Matallana about the development of his ongoing Manual of Violence project, the process of creating its fictional comic installment “Brea,” and how games, childhood, dreams, and more shape his work. Follow @tropipunk on Instagram and check out his presentation about “Brea” at the Hyde Park Art Center on Saturday, May 26, 2-4pm. This interview has been edited for length and clarity, and includes some spoilers about the book “Brea.” Marya Spont-Lemus: I guess I’d love to start by just hearing how long you’ve been making work in Chicago and what brought you here. Carlos Matallana: Well, I ended up in Chicago because I have old friends here in the city. But initially I moved from Bogotá to New York. I spent a couple of months, not even four months, in New York. I spent all my savings, and I tried …