All posts tagged: Anthony Romero

Image: Kahlil Robert Irving, MOBILE STRUCTURE; RELIEF & Memorial: (Monument Prototype for a Mass); 2019. Sculptural Installation. Photo by Shabez Jamal.

From Punk Clubs to Panaderías: Counterpublic, An Embedded Triennial

In an era hypersaturated with recurring exhibitions – from Shanghai to Sharjah, Havana to Venice – a new St. Louis triennial urges artgoers to forgo the touristic water taxis for their own two feet. Organized by The Luminary, a St. Louis-based nonprofit platform for art and activism, Counterpublic reinvigorates global precedents with a model that approaches the city on the scale of a neighborhood. Its inaugural iteration takes place in the 12-block radius of Cherokee Street, a neighborhood of family-operated businesses and art spaces that serves as the Latinx center of St. Louis. Any of the 30+ site-responsive installations and performances greet equal parts neighbors carrying grocery bags and cognoscenti clutching the newspapers that serve as maps to make the pilgrimage. Artworks are ingrained in punk clubs and panaderías, indicated subtly by small yellow signs. The exhibition evolves at various levels of sunlight and sobriety – it features a John Riepenhoff-created beer at Earthworks brewery –as Counterpublic’s hours are set by the shops themselves. On the street, none of the artwork is particularly protected; this …

Site-Access Symposium with Jillian Soto

The thought of the city as studio can be a very exciting thing. It means no public (and in some cases even private) space is safe when the minds of artists are finding new ways to use it for their own creative practices. Some of the work created during Chicago Artists Month tested new grounds, revisited old grounds and pushed the limits of the type of public art practice that Chicago is accustomed to. As thrilling and provocative as that can be, there is also another side to that and it deals with these public spaces, the needs and wants of the community, and the promotion of understanding and comfort in these creative spaces. Just because the work is in the public doesn’t necessarily mean it is easily accessed by the people who know some of these re-appropriated spaces a regular presence in their everyday lives. How can you tell the difference of when art enhances the community it is planted within, or when it acts as a tool of alienation or insensitivity?  For Art …