All posts filed under: Champaign-Urbana

Home to Self: An Interview with Preetika Rajgariah

When talking to artist Preetika Rajgariah about how she arrived at her most recent body of work, I was struck by how a lexicon of movement naturally developed. She spoke about the strategies her family used to recreate the feel, warmth, and comfort of a home that was thousands of miles and oceans away after they settled in the city of Houston. She talked about how travel and relocation punctuated significant shifts in her work. She told me how one of her most commercially successful bodies of work addresses concepts of migration and accumulation but also whispers to how, aesthetically, macro perspectives mimic the micro and cellular. But while motion might be one of the most immediately legible themes that one can draw out of her work, it is stillness that has actually allowed her practice to move forward in substantial and  illuminating ways. Having discernment around what advice, suggestions, constructive criticisms are valid and useful and which ones counter her progression has allowed her work to bloom in ways that disrupt her original understandings of …

This is an image of moderators and panelists talking.

Beyond Alternatives, Toward Refusal

Beyond Alternatives, a two-day symposium organized by Cory Imig and Dulcee Boehm, fostered a dedicated site to share and reflect upon their experiences as artist-organizers working outside of metropolitan centers. The dozens of artists, writers, educators, and curators living in, thinking about, and actively building communities and social networks who came together reflected the need for this event. The symposium converged and slipped around three main themes: sustainability and transparency when directing an artist-led project, social practice and community engagement, and institutional critique. Paddy Johnson, the founding editor of Art F City, a digital platform for critical conversations surrounding contemporary art, a writer and independent art blogger, opened the symposium with a keynote address appropriately titled “Artist-Led Projects.” Johnson opened with a summary of her and collaborator Michael Anthony Farley’s iterative project “We’re SO not getting the security deposit back,” a guide to now defunct artist-run spaces documented in NYC, Washington D.C., and Baltimore. Each guide features commissioned essays, which emphasized the unique history and conditions of each city. Inherent to this project is a …

You Can’t Draw Permanent Lines on the Ground in a Floodplain

Iron the common element of earth in rocks and freightersSault Sainte Marie—big boats coal-black and iron-ore-red topped with what white castlework  The waters working together internationally Gulls playing both sides –Lorine Niedecker From the poem “Lake Superior,” 1967 For the last twelve years, my professional and personal life has been split between the Midwest/Great Lakes metropolis of Chicago and Champaign-Urbana in the center of the state. The train I take between these two homes—on a rail line celebrated in folk-singer Steve Goodman’s “City of New Orleans”—passes through terrain covered by large, uniform fields of corn and soybeans. Cylindrical grain storage bins periodically rise out of the flat horizon like rockets that got stuck in a perpetual countdown, never to blast off. There are many readymade images that someone like me projects onto these scenes. One of the strongest being the pastoral image of productive family farmers, feeding America with sweat and basic technology; a Grant Wood painting, in 3D living color. After a couple of years of inhabiting and moving through this territory, the surface of …