All posts filed under: Interviews

Art + Love: Jennifer Sova + Tiana Jimenez-Srisook

As part of our Art + Love series, Jennifer Sova and Tiana Jimenez-Srisook reflect on the ways in which they share space, share ideas, and hold deep admiration for one another’s work. On where it all started: Jennifer Sova: We met in a class at Columbia College in 2016. The class was called Women in Art, Music, and Literature which we think is hilarious being that we are women in art and music. It seems like a modern-day queer romantic comedy. We became fast friends and fell in love quickly, too. The things that first bonded us; music, laughter, books, soaking up the small things, and general curiosity are still the things that we stay up too late talking about. Tiana Jimenez-Srisook: Jenn and I met in college–– a fact that we both find quite silly given the cliché. We were in the same women’s studies course and coincidentally sat next to each other only to spark up a seamless bout of quick witty banter and conversations about big ideas, art, culture, politics, literature, food, …

Art + Love: Edra Soto + Dan Sullivan

As part of our Art + Love series, interdisciplinary artist Edra Soto and fabricator/designer Dan Sullivan talk about their distinct practices, the places where their ideas merge, and the ways their relationship has influenced their work. On where it all started: Edra: Dan and I met at the School of the Art Institute of Chicago in 1998. I was a grad student and he was working at the registrar’s office. I remember seeing him for the first time and wondering to myself who he was. I looked at him for a while but he didn’t see me until later. I was standing in line to register for some courses and I remember he asked me to step over. I wasn’t fully aware, but soon enough I realized he pull me off the line asked me to have a seat at his desk. Nothing further than that. Some days later, I was walking all frazzled up down the admin office hallways and he saw me and immediately stopped me. He asked me what happen and I …

Art + Love: Lovie Olivia + Preetika Rajgariah

As part of our Art + Love series, Houston-based artists Lovie Olivia and Preetika Rajgariah discuss the early days of their once long distance relationship and how it feels to now be reunited in their home town while also sharing a studio space. On where it all started: Lovie Olivia: In May 2013 I found myself at a dance performance/rehearsal by Jasmine Hearn and Jon Shronks, two dear friends in the performing arts scene in Houston. Preetika was there as an event photographer and I connected with her presence immediately. We were introduced at the end of the performance. A few months later we learned that we were both instructors at the locally popular non-profit gallery and school, Art League Houston. Sometime after one of our our exhibitions, (I think mine) Preetika slipped in my DM on Facebook inquiring about my process of choosing models for my paintings, explaining that she was a model and available if I needed more (brown) subjects. We had that initial meeting at my studio about 6 months after because …

Art + Love: Grace Needlman and Will Bishop

 As part of our Art + Love series, interdisciplinary artist and educator Grace Needlman and theater artist Will Bishop share a little bit about how being partners influences their practices and their origin story. On where it all started: Grace: We met at Redmoon, a spectacle theater company that operated in Chicago from 1990 to 2015. I had just moved to Chicago and was interning at Redmoon for the summer. Will was the Associate Producer. So, he was kind of my boss–not directly, but close enough to joke about it. On our first date, we went to a concert at the Lincoln Hall. We were biking home together after the concert, and I hit a pothole under the bridge on Halsted just south of Milwaukee and took a nosedive. I was really embarrassed, so brushed it off like it was no big deal. I biked all the way back to Hyde Park, where I was living, with a quarter-sized hole in my knee. I couldn’t walk for 3 days, including my first day of work at …

Featured image: Fawzia Mirza. In this medium-close-up shot, Fawzia looks directly and confidently at the camera, smiling with pursed lips and pointing at the viewer with both hands. Fawzia wears a long-sleeved denim shirt with a blue-on-blue, camouflage-like print and the top few snaps unsnapped. The cuffs of her shirt-sleeves are folded back, and she wears several bracelets and rings made of silver or wood. Photo by Bradley Murray, cropped to fit. Courtesy of the artist.

Beyond the Page: Fawzia Mirza

“Beyond the Page” digs into the process and practice of writers and artists who work at the intersection of literary arts and other fields. For this installment, I interviewed Fawzia Mirza — actor, writer, producer, and “artivist” — about the relationship between her writing and performance, her creations’ many forms and media platforms, the role of comedy and collaboration in her work, and how she hopes her work impacts others. Our conversation took place remotely, with Fawzia responding via audio recording to a set of emailed questions. Find Fawzia on Twitter and Instagram @thefawz. “The Red Line” premieres on Sunday, April 28, on CBS. This interview has been edited for length and clarity.   Marya Spont-Lemus: I first became aware of your work several years ago, when you emceed TEDx Windy City, at which two of my students were speaking. I thought you were such a charming, energetic, bold, incisive yet kind and generous host, and it was so lovely to officially meet you a few years ago and to discover that you’re just as smart …

Intimate Justice: Cameron Clayborn

“Intimate Justice” looks at the intersection of art and sex and how these actions intertwine to serve as a form of resistance, activism, and dialogue in the Chicago community. For this installment, we talked to Cameron Clayborn in his Bridgeport live-work studio space about popcorn ceilings, inner dialogue, and letting your freak flag fly.  This interview has been edited for length and clarity.  S. Nicole Lane: Are you from Chicago? If not, how did you end up here? Cameron Clayborn: I’m from Memphis. I was born in Pine Bluff, Arkansas, and then my parents moved me to Memphis. SNL: Cool. And do you live in Bridgeport? CC: Yeah. So this is a live-work space. Everyone who has a space here works here, except for one person. But she’s awesome. So she lives around the corner. SNL: And what did you study at SAIC? CC: I studied sculpture and sometimes sound. I never took a performance class except for one time, which was about the practicalities of being a performance artist. I don’t know, it just never felt …

Sonic Space: Interview with Michael Junokas

This is an excerpt from Sight Specific’s interview with sound artist Michael Junokas. Presented through Sixty Regional. In partnership with pt.fwd, a new series of contemporary music and sonic arts performances featuring new work by local and regional artists in Bloomington-Normal, Illinois, Sight Specific will be publishing conversations between the featured artists and pt.fwd director Eddie Breitweiser. Michael Junokas will be performing on Saturday, February 9, 2019 at 8pm at the McLean County Arts Center. All pt.fwd performances are free and open to the public. Follow pt.fwd on Facebook and Instagram for more information, including upcoming performance dates. Eddie: For the pt.fwd performance in February, we wanted to have a conversation with you so that we could get more familiar with your work. Today we wanted to talk about three different areas: history, region, and fun. So first, historically speaking, can you place the work you’re going to be performing for us? We ask that because part of the charge that we put on our pt.fwd performers is for them to bring something new that they haven’t …

Review: Reclaiming the Crown, The Footwork King’s Battle with Money Bail

It was spring 2016 and Devoureaux Wolf was on the rise. Also known as “King Detro, Chicago’s footwork king,” Wolf’s dancing career was taking off: he’d won numerous dance competitions, hosted a dance show on Wala Cam TV, and had just started his own program, Dance N Out, that aimed to steer youth on the West Side off the street and onto the dance floor. He never expected getting a ride home from a friend’s brother would radically alter his life’s course. But that’s exactly what happened. The car was pulled over and Wolf was quickly dragged out by Chicago police officers, who then arrested him and charged him with assaulting them. Though the driver had the foresight to film the encounter to disprove the police’s account, simply being charged landed Wolf in Cook County Jail with a $3,000 bond that he could not afford. Over the next three and a half months, Wolf would nearly lose his apartment, his hosting job, and his connection to his community. On top of that, Wolf’s uncle passed …

Teaching Classes Inside, Building Knowledge Outside: An Interview with Prison + Neighborhood Arts Project

The Illinois Department of Corrections is made up of 28 prisons that hold nearly 44,000 people. While the number of inmates has steadily increased since 2000, Illinois prisons followed a national trend in increasing sentence terms due to mandatory minimums and truth-in-sentencing laws. Alongside the trend towards longer sentencing, the 1994 Crime Bill Act eliminated low-income incarcerated people’s access to Pell Grants for higher education, dramatically decreasing the amount of educational programming in prisons. Amid instability and overcrowding, incarcerated people make art, get married, have children, and live entire lives that the outside world hears little about. Artist and instructor Sarah Ross taught Art History classes at Danville Correctional Center through a remaining community college program, where she met incarcerated artists, did critiques and put together shows for the outside. When she was asked to teach at Stateville Maximum Security Prison in 2011, that experience informed the values she brought in to her classes. Ross reached out to her networks to invite more people on as instructors to offer incarcerated people a range of educators and …

In Conversation with Artist Jireh L. Drake

Even if you haven’t met Jireh L. Drake (they/them) before, you may have heard their voice bouncing off the walls of a CTA platform–laughing, chanting or freestyling. Always enfolded within the city’s cacophonous soundscape. Always amongst people. Their spirit and energy can be felt even before they are seen. Jireh is a Black trans artist, curator, organizer and non-binary baddie who uses mixed media to explore the interdependency of social structures, salient identities, and history. Through drawing, they illustrate the sensations of movement and texture that overlap to visually evoke the interconnectedness of power, race, people, ideas, and cultural-historical movements. In their work, everyday life, Black queer existence, and experiences are unearthed and unpacked. They are a founding member of For the People Artists Collective, a squad of Black and Artists of Color who also organize and create work that “uplifts and projects struggles, resistance, liberation, and survival within and for marginalized communities and movements.” Their work, it seems, is a reaction to a feeling, a moment, or a conversation. Because of this, it always feels …

Arial view of Stateville Correctional Center.

Smiling Behind the Sun: An Interview with Danny Franklin

Libyans sometimes refer to being arrested and taken away without warning as being “taken behind the sun.” This interview series celebrates—through conversations with formerly-incarcerated artists and their allies—the ways in which an artistic, creative life can transmute the impact and redefine the legacy of an experience within the prison-industrial complex. Danny Franklin is an actor and producer of the one-act play “A Day at Stateville.” The play was written collectively by a creative writing class of incarcerated students at Stateville Correctional Center, working under the guidance of attorney and Stateville volunteer Jim Chapman. It utilizes Augusto Boal’s applied theatrical approach to drama in an attempt to foment revolutionary change and is performed on the outside by men who were once confined at Stateville themselves. To date, more than 150 productions have taken place in churches, schools, and community organizations throughout Illinois. In 1997, after serving 12 years at Stateville, Danny Franklin came home to Chicago and founded Reaching Back Ministry. He’s been working with and on behalf of formerly incarcerated citizens ever since, helping to …

An Interview with Hananne Hanafi of YolloCalli Arts Reach

Tucked away on the second floor of the Boys & Girls Club on 28th & Ridgeway in Little Village is  Yollocalli Arts Reach, a dynamic program that has been providing free visual, digital and media arts programming to young aspiring creators since 1997. In 2012, Yollocalli made Little Village home, and has a second studio location through a partnership with the Chicago Park District at Barrett Park in Pilsen that serves as an artist in residency space and provides free workshops. I caught up with Programs Coordinator Hananne Hanafi in YolloCalli’s vibrant space to learn more about the ways she and her colleagues are empowering creative youth in Little Village to express themselves through art.   Anjali Misra: How did you all end up in this particular space and this particular community? Hananne Hanafi: The National Museum [of Mexican Art] started the program and originally the space was located in Pilsen, and it was on the corner, it’s where the Giordano’s is now at 18th and Blue Island. So it was there for years and …

Intimate Justice: Hyegyeong Choi

“Intimate Justice” looks at the intersection of art and sex and how these actions intertwine to serve as a form of resistance, activism, and dialogue in the Chicago community. For this installment, we talked to Hyegyeong Choi in the summer over the phone about friends with benefits, violence in sex, and to formality in painting.  This interview has been edited for length and clarity.  S. Nicole Lane: You’re new to New York, but can you maybe talk about the city and the community there and if it differs any way from what you experienced? Hyegyeong Choi: Sure. I had such a strong community in Chicago from grad school at SAIC in Chicago. It was like a family environment. I know or see a lot of people whenever I go to openings. When I moved to New York, I only knew a few people here. My best friend, Seth Stolbun, who is also my collector said “It’s the same thing. You will know everyone since it’s a small world like you had in Chicago.” I had a …

Black Birth Matters at #LetUsBreathe Collective

The #LetUsBreathe Collective is an alliance of artists and activists who come together, organizing through a creative lens to imagine a world without prisons and police. The Collective operates the Breathing Room, a Black-led liberation headquarters for arts, organizing, and healing on Chicago’s South Side. May each of our beginnings be honored, as they did not begin without deep struggle. Keeping community is keeping us together. It’s unity. The #LetUsBreathe Collective’s partnership with Black Birth Matters represented a cross of a cultural exchange of knowledge, Black economic wealth, and education about the experiences of Black women in preparing for, experiencing, and learning about life before and after birth. Black Birth Matters is a “cultural campaign to uplift the life-giving power of Black women and people with wombs,” says Kristiana Rae Colón, the creator of Black Sex Matters and a poet, playwright, and abolitionist. With her comrade and partner, creative Malik Alim, she welcomed their new vessel of life, Baby Alim Colón, into the world at the inaugural Black Birth Matters community event. Focusing on Black birthwork, doula, and …

Shifting the Art Education Paradigm: A Conversation with Arnie Aprill of Envisioning Justice

When I asked Chicago-based arts and learning curriculum expert Arnie Aprill to sum up the Envisioning Justice initiative, he told me it was  “about respecting the knowledge of [Chicago] communities, not paying service to project funders.” Since the launch of this city-wide initiative, Aprill has been asking the hard questions, like “how do communities build their own capacity for healthy living? How are these communities being disenfranchised?” The catalyst of disenfranchisement that the Envisioning Justice program sites are addressing is the criminal justice system. Aprill works closely with hub directors (community leaders co-facilitating place-based Envisioning Justice projects) to offer activities that empower youth and families with the knowledge, tools, and resources to define their own futures outside of the seemingly ever-present gaze of the criminal justice system in Chicago. From Aprill’s assessment, many West and South Side neighborhood leaders face an uphill battle to not have their communities’ health be defined by where they fall in mass incarceration statistics. Aprill has always seen his role as helping already established neighborhood programs build capacity to address …

Locating Your Practice in ‘African American Designers in Chicago: Art, Commerce and the Politics of Race,’ with D. Denenge Duyst-Akpem

A century’s legacy of Black designers working at the nexus of the quotidian, politics, history, and market capitalism is brought into focus through African American Designers in Chicago: Art, Commerce and the Politics of Race, on view at the Chicago Cultural Center until March 3, 2019. The show’s objects and design content show generations of Black designers fusing a shared past and visions of the future within their historical contexts. This chronicle highlights designers and artists producing in many mediums including Charles Dawson, Charles White, Jay Jackson, Zelda “Jackie” Ormes, Charles Harrison, LeRoy Winbush, William McBride, Sylvia (Laini) Abernathy, and Emmett McBain. Particular emphasis is given to how 20th century Black designers and artists in Chicago reframed the conception of the Black consumer within the market economy. By the same token, the concerns, aesthetics, pressures, and values of Chicago’s dynamic Black communities are embedded in each object. Dr. Margaret T. Burroughs expressed this responsiveness when discussing the origins of the South Side Community Arts Center, quoted in the exhibition materials: “As young black artists, we looked …

Chicago Archives + Artists Project: Artist Profile on Aay Preston-Myint

The Chicago Archives + Artists Project (CA+AP) is an initiative that highlights Chicago archives and special collections that give space to voices on the margins of history. Led by Chicago-based writers and artists, the project explores archives across the city via online features, a series of public programs and new commissioned artwork by Chicago artists. For 2018, the Gaylord and Dorothy Donnelley Foundation has funded a series of pilot projects pairing three artists with three archives around the city: Media Burn + Ivan LOZANO, the Leather Archives & Museum + Aay Preston-Myint, and the Newberry Library’s Chicago Protest Collection + H. Melt. This series of articles profiles these featured archives and artists over the course of their collaboration, exploring the vital role of the archive in preserving and interpreting the stories of our city as well as the ways in which they can be a resource for creatives in the community.  In the Leather Archives exhibition, Aay Preston-Myint exhibited their work Dirt/Work, which illustrates the archival process of leather culture. The artist writes, “Archives are one of many …

Inside the Just Art Program at Cook County Jail

Across the U.S., 2.3 million people are being held in correctional facilities. Around 536,000 of them are being detained pretrial—more than most countries have in their jails and prisons combined. And as much as our prison population swells with people serving life sentences, shorter-term pretrial detention, and the architectures and logics that come with it, are distinctly American. Cook County Jail’s brutalist facility looms over 96 acres of Chicago’s Little Village neighborhood. It is the largest single-site jail in the country. In 1985, the average daily population was about 5,000. By 2012, that number had nearly doubled. An estimated 90 percent of those incarcerated at Cook County Jail have not been convicted of a crime but are being held in pretrial detention, often because they can’t afford to pay the bond set during their pretrial hearing. Late last year, after Chief Judge Timothy Evans ordered court judges to set bail only in amounts defendants could afford, the average bond amount in Cook County fell by over 80 percent, from nearly $134,000 in 2016 to $22,000 …

Intimate Justice: Oscar Chavez

 “Intimate Justice” looks at the intersection of art and sex and how these actions intertwine to serve as a form of resistance, activism, and dialogue in the Chicago community. For this installment, we talked to Oscar Chavez in Pilsen about internet trends, the body as a commodity, and tube tops.  This interview was edited for length and clarity.  S. Nicole Lane: Where are you originally from and how did you get to Chicago? Oscar Chavez: Born and raised in Chicago actually. I am from the South Side. So, I grew up in the South Side. I definitely don’t wanna stay in Chicago. But I think being a young artist in Chicago is amazing and there are so many benefits that you can work with. SNL : How has Pilsen community contributed to your practice? OC: I mean, I just moved here so I am still exploring. I moved a block from Textile Discount Outlet which has really been turning me up. I am there every morning and have been sewing so much. So that’s been a huge effect …

If You Want to Watch, You Can Watch: A Conversation with Multimedia Artist Heather Raquel Phillips

In Heather Raquel Phillips’ videos we are so very close. But we rarely get the full picture. Instead, we sense our way. We feel what we are meant to know, despite, or because of, the ambiguity. It is familiar, yet private. We cannot, would not, transpose ourselves onto or into another’s moment. But we watch, transfixed, sometimes trapped up close, sometimes lingering, our desires holding us rapt. Eyes closed, a grimace, then a small smile, as someone takes an electric clipper to another’s head and shaves it clean. Eyes closed, relaxed, stroking hair to the lull of R&B. The gentle touch of a manicured hand against the neck, the other confidently guiding the razor along the scalp. They bend forward as the razor tickles the nape, moving with the grain of their body in response to another’s structured guidance. Tongues ecstatically licking lips, devouring in anticipatory delight. Bodies gleeful with expectation, awaiting their punishment. Phillips, a mixed race artist living and working in Philadelphia, explores the intersections of race, class, gender & sexuality through the …

The Right to Heal: An Interview with Artist & Activist bria royal

bria royal is a 24-year-old multidisciplinary artist from the West side of Chicago. bria’s work often deals with Black and Indigenous mythologies, ecofeminism and futurist possibilities. In 2017, she released a graphic novel titled Black Girl Mania which fuses science fiction and personal narrative to follow a protagonist navigating mental illness in a post-climate change world’s last habitable land mass. Most recently, she illustrated Missing Daddy, a children’s book written by one of Chicago’s most prominent organizers and prison abolitionists, Mariame Kaba. Kaba has had a hand in developing many of Chicago’s radical organizing projects, including Project NIA, Chicago Freedom School, Chicago Taskforce on Violence Against Girls and Young Women, Chicago Alliance to Free Marissa Alexander, and We Charge Genocide. At Northwestern University, where she studied Communications, Film, and Psychology, bria helped form Unshackle NU, a political action group that pressured the school to divest from private prison corporations and companies that profit from the prison-industrial complex. As part of Unshackle NU, bria created an animated short called Prison-Industrial Complex 101. There she met Kaba, …

The Vessels that Marva Made: An Interview with Members of Sapphire & Crystals

“I am a strong woman; my strength as a Black woman pays homage to what I call the Sapphire Spirit. A woman who is sassy, jazzy, spiritual, brainy, the healer–she is Mother Earth in its grand splendor. I salute this spirit in all Black women everywhere. The recognition of my own Sapphire Spirit provided me with the knowledge I needed to speak. My name is Marva and I speak through my art, my voice extends all the way back to the first known human being who was a Black woman. Going forth, through my ancestors, I am creating new symbols and new directions, moving from my own individual voice to that of the collective voice. I now join with sixteen other African American Women Artists and form the Sapphire & Crystals group. As a collective we step forward to the world.” –Marva Lee Pitchford-Jolly In 1986 artists Marva Lee Pitchford-Jolly and Felicia Grant Preston started meeting in Pitchford-Jolly’s home to discuss how to continue supporting women artists after the group Mud Peoples Black Women’s Resource …

Mitch Buangsuwon and Modern Americana

Mitch Buangsuwon (he/him) is a photographer, director, and filmmaker based in Chicago and Los Angeles. His work focuses on familial connections and issues. His current film project explores the ways that dementia and lack of control affect a family and his current photography project documents people’s lives across America and delves into their sense of safety. Mitch’s work can be found at mitchb.us. Cecilia Kearney: Let’s start with your background, tell me a little bit about yourself. Mitch Buangsuwon: My name is Aaron Mitchell Buangsuwon. I was born and raised in Los Angles, California. I have only recently been living in Chicago since I moved here for school, so I am very much still heavily tied to my California identity. My dad immigrated from Bangkok, Thailand to go to college where he met my mom—they’re divorced now. I was in a family that was really into the outdoors and traveling, so I was lucky to be able to go all over the U.S. and the world. As a kid, I went to Switzerland a lot as well …

‘The Artist as a Catalyst of Social Change?’ Part 3: Leah Gipson

As many contemporary artists, arts organizations, and other cultural laborers continue a decades-long trajectory of re-orienting their practices more deliberately towards and within the social world, forms and approaches have morphed through a collective re-imagining of the production, dissemination, and sociopolitical potential of art. These modes have sought to broaden access and participation in the arts, transform relationships between people, forge practices rooted just as much in ethics as in aesthetics, and other similar gestures toward aligning art with notions of social justice and reform. And yet amidst this grappling, a number of unresolved riddles remain regarding art’s place in daily life: What and who is art’s “community,” and what do we mean by “community”? What is art’s relationship to democracy? Can increased access to the arts also advance civic participation more broadly? What is the role of the artist in society? Can art and artists be catalysts for social change — and should they? Such issues and questions reverberate through the Jane Addams Hull-House Museum’s current exhibition Participatory Arts: Crafting Social Change, which explores …

Encircling Community with Circles & Ciphers: An Interview with Steve Serikaku

Within Circles & Ciphers‘ programming, Community Peace Circle is a long established institution in both the neighborhood of Rogers Park and the city of Chicago. This space represents my earliest interaction with the organization and provided me with a foundational understanding of circle facilitation. Circles & Ciphers presently offers four types of circles on a weekly or biweekly basis to accommodate a range of different social and gender identities: Young Men’s, Women of Color, Freestyle, and Community. Community Peace Circle offers a flexible format which caters to the broadest range of identities and ages allowing these groups to interact and share space with one another. In order to further understand the types of people who give shape and meaning to the Community Peace Circle, I wanted to interview attendees to see what drew them into the space and what keeps them returning. This interview was conducted with Steve Serikaku, a local resident of Edgewater who is also involved with several social justice efforts that align with his Unitarian Universalist faith doctrine. Mike Strode: How are you …

Darien R. Wendell, Forging Black Queer Sanctuaries by Any Means

Darien R. Wendell (they/them, ey/em, d) is a transdisciplinary artist, curator, educator, and organizer who uses art as a vehicle to interrogate and excavate Black queer histories, experiences, and moments. They harness their inquiry in pursuit of creating art, spaces and worlds for Black trans and gender non-conforming folks who seek refuge, community and connection. Their work expands over different media and expressions, including performance, sculpture, illustration, and zines. They are also part of several Chicago-based artists and organizing collectives–one of which is A Tribe Called Cunt, a “squad” co-created with Bonita Africana (Shanna Collins) that highlights the many contributions of Black trans and gender non-conforming rappers and cultural producers to hip-hop culture.    It was an art teacher in high school who encouraged Darien to think critically about art as a tool and not just aesthetics. They had a culture jamming assignment that required them to look at an advertisement, research the company that produced it to understand the company’s practices, and then create a counterculture piece of art about it. The main point of …

‘The Artist as a Catalyst of Social Change?’ Part 2: Regin Igloria and North Branch Projects

As many contemporary artists, arts organizations, and other cultural laborers continue a decades-long trajectory of reorienting their practices more deliberately towards and within the social world, forms and approaches have morphed through a collective re-imagining of the production, dissemination, and sociopolitical potential of art. These modes have sought to broaden access and participation in the arts, transform relationships between people, forge practices rooted in ethics as much as in aesthetics, and other similar gestures toward aligning art with notions of social justice and reform. Yet amidst this grappling, a number of unresolved riddles remain regarding art’s place in daily life: who is art’s “community,” and what exactly do we mean by “community”? What is art’s relationship to democracy? Can increased access to the arts also advance civic participation more broadly? What is the role of the artist in society? Can art and artists be catalysts for social change — and should they? Such issues and questions reverberate through the Jane Addams Hull-House Museum’s current exhibition Participatory Arts: Crafting Social Change, which explores the influence that …

‘The Artist as a Catalyst of Social Change?’ Part 1: Nicole Marroquin

As many contemporary artists, arts organizations, and other cultural laborers continue a decades-long trajectory of reorienting their practices more deliberately towards and within the social world, forms and approaches have morphed through a collective re-imagining of the production, dissemination, and sociopolitical potential of art. These modes have sought to broaden access and participation in the arts, transform relationships between people, forge practices rooted in ethics as much as in aesthetics, and other similar gestures toward aligning art with notions of social justice and reform. Yet amidst this grappling, a number of unresolved riddles remain regarding art’s place in daily life: who is art’s “community,” and what exactly do we mean by “community”? What is art’s relationship to democracy? Can increased access to the arts also advance civic participation more broadly? What is the role of the artist in society? Can art and artists be catalysts for social change — and should they? Such issues and questions reverberate through the Jane Addams Hull-House Museum’s current exhibition Participatory Arts: Crafting Social Change, which explores the influence that Addams …

Chicago Archives + Artist Project: Artist Profile on H. Melt

The Chicago Archives + Artists Project (CA+AP) is an initiative that highlights Chicago archives and special collections that give space to voices on the margins of history. Led by Chicago-based writers and artists, the project explores archives across the city via online features, a series of public programs and new commissioned artwork by Chicago artists. For 2018, the Gaylord and Dorothy Donnelley Foundation has funded a series of pilot projects pairing three artists with three archives around the city: Media Burn + Ivan LOZANO, the Leather Archives & Museum + Aay Preston-Myint, and the Newberry Library’s Chicago Protest Collection + H. Melt. This series of articles will profile these featured archives and artists over the course of their collaboration, exploring the vital role of the archive in preserving and interpreting the stories of our city as well as the ways in which they can be a resource for creatives in the community.  Join us on December 1, 2018 from 6-9 pm at the Leather Archives & Museum for Artists + Archives: Pilots, which will exhibit the commissioned projects by each artist alongside the archive materials that inspired them, launching CA+AP’s first …