All posts filed under: Comics

Image: Damian Duffy sits at a table in a brewery and works at a laptop computer. In front of his computer are paperback copies of Octavia Butler’s “Parable of the Talents”, an advanced reader copy of his graphic novel adaptation of Butler’s “Parable of the Sower”, and an open notebook with sketches. An empty beer glass is set to the side. Photo by Jessica Hammie.

Writing Comics We Want to Read: An Interview with Damian Duffy

If you’ve been paying any attention to pop culture lately, you’ve noticed that we’ve become enamored of comics and graphic novels. Like most media, the authors and subjects have been predominantly white, and it’s hard to remember that there are other stories being told. As comics become more mainstream, there’s an opportunity to expand the genre to feature different voices through authorship, artistry, and subjecthood. The inherent collaborative nature of comics—artist working with author, most simply—makes it ripe for bringing like-minded individuals together to manifest a story not yet pictured. This summer, I had a beer with comics author and artist Damian Duffy. Duffy is an Eisner-award winner (that’s the prestigious award handed out by Comic Con International in San Diego), and a New York Times bestselling author. With artist John Jennings, Duffy is the co-author of “Black Comix” and “Black Comix Returns” and the adapter and author of “Kindred: A Graphic Novel Adaptation,” the first visualization of celebrated author Octavia Butler’s work. He’s also the adapter and author of the forthcoming graphic novel adaptations …

The Right to Heal: An Interview with Artist & Activist bria royal

bria royal is a 24-year-old multidisciplinary artist from the West side of Chicago. bria’s work often deals with Black and Indigenous mythologies, ecofeminism and futurist possibilities. In 2017, she released a graphic novel titled Black Girl Mania which fuses science fiction and personal narrative to follow a protagonist navigating mental illness in a post-climate change world’s last habitable land mass. Most recently, she illustrated Missing Daddy, a children’s book written by one of Chicago’s most prominent organizers and prison abolitionists, Mariame Kaba. Kaba has had a hand in developing many of Chicago’s radical organizing projects, including Project NIA, Chicago Freedom School, Chicago Taskforce on Violence Against Girls and Young Women, Chicago Alliance to Free Marissa Alexander, and We Charge Genocide. At Northwestern University, where she studied Communications, Film, and Psychology, bria helped form Unshackle NU, a political action group that pressured the school to divest from private prison corporations and companies that profit from the prison-industrial complex. As part of Unshackle NU, bria created an animated short called Prison-Industrial Complex 101. There she met Kaba, …

Drawing on Anger: Eric J. Garcia

Eric J. García combines art, politics, and history in his work, creating sharp critiques of the U.S. through a Chicano lens with the goal of educating and challenging the viewer.  And it’s his ability to draw the connections between history and contemporary politics that make his work especially powerful. As an artist, García creates using a variety of media including printed posters, sculptural installations, public art, and political cartoons. Some of the work from his long-running and incisive political cartoon series, El Machete Illustrated, was recently published in a collection called Drawing on Anger: Portraits of U.S. Hypocrisy by Ohio State University Press. I got a chance to ask him about the process of creating this book, how his work challenges traditional political cartoons in the U.S., and the importance of collective anger. Jennifer Patiño Cervantes: Can you tell us about your book? How did it come about and how did you come up with the title? Eric J. García: “Drawing on Anger” is the best of my El Machete Illustrated series of political cartoons …

This is a photograph of three copies of the book “Brea,” against a light background. Two lie flat in the left side of the frame, front cover and spine visible, and the third is upright, with only the front cover showing. The front cover image is an ink illustration of a young boy in close-up, straight-on, showing his face, chest, and parts of his arms. He wears a long-sleeved shirt and his hands are flipped upside-down over his eyes to form goggles, of sorts, with each thumb and forefinger. Courtesy of the artist.

Beyond the Page: Carlos Matallana

“Beyond the Page” digs into the process and practice of writers and artists who work at the intersection of literary arts and other fields. In March, I was honored to interview artist and educator Carlos Matallana about the development of his ongoing Manual of Violence project, the process of creating its fictional comic installment “Brea,” and how games, childhood, dreams, and more shape his work. Follow @tropipunk on Instagram and check out his presentation about “Brea” at the Hyde Park Art Center on Saturday, May 26, 2-4pm. This interview has been edited for length and clarity, and includes some spoilers about the book “Brea.” Marya Spont-Lemus: I guess I’d love to start by just hearing how long you’ve been making work in Chicago and what brought you here. Carlos Matallana: Well, I ended up in Chicago because I have old friends here in the city. But initially I moved from Bogotá to New York. I spent a couple of months, not even four months, in New York. I spent all my savings, and I tried …