Author: Tara Betts

Image: Untitled, 2018. Graphite on paper, 30" X 40". Photo by Jasmine Clark. Image courtesy of the artist.

Seeing Signs: An Interview with Carris Adams

At least a year before the opening of her newest show, I met Carris Adams in her capacity as an arts administrator. Adams works as the General Manager of Chicago Art Department, an organization that provides space, support, and opportunities for artists. As the first Core Critical Writing Fellow at CAD, I got to see Adams regularly organize a stream of events and exhibits but all the fellows, myself included, also knew about Adams’ work as a visual artist. Her work has been exhibited in various spaces in Chicago, Texas, and New York, including The Studio Museum of Harlem. We took a moment to meet near CAD and her studio at La Catrina Café to talk about her upcoming show. Carris Adams’ solo exhibition Doubletalk is her first exhibition with Chicago’s Goldfinch Gallery. The exhibition will be on view from the opening reception on Saturday, May 11 until Saturday, June 22, and a conversation between Carris Adams and Jinn Bronwen-Lee will take place on June 8, 2 p.m. Adams’ drawings create pressures and textures with …

Identity and Struggle: Interview with Sam Kirk

In Sam Kirk’s shared Pilsen studio at the Chicago Art Department, there are desks and a couple of small colorful portraits on the wall. They serve as a sharp contrast to the white walls accustomed to a flurry of monthly exhibits. One of the walls is a high partition that nearly hides the small but clearly busy space. The heavy table in the center of the work studio holds a work in progress that reverberates with the bright color choices and the distinct, curved lines that are a signature of Kirk’s style. However, each segment is glass cut then soldered into place by the dark lines that Kirk might normally reinforce with a smaller brush dipped in black paint, if she were working solely on canvas. Kirk’s work with glass has not only recently become part of the permanent collection at the National Museum of Mexican Art, but has become an identifiable style that she shares in public murals, exhibits, commissioned work, and even enamel pins and greeting cards. Her upcoming show “The Alchemy of …