Author: Tamara Becerra Valdez

Featured Image: Andre Keichian, 'Salt in the I' (detail), 2019. View of negatives from Keichian's family photo album adhered to a glass window as part of the exhibition installation at table. Photo by Kim Becker. Image courtesy of Kyle Bellucci Johanson.

New Political Imaginaries at the table: Interview with Kyle Bellucci Johanson

In a 2017 interview for the Brooklyn Rail, poet, critic, and theorist, Fred Moten said: “Everything always needs new language. We constantly have to renew the language of any mode of inquiry. Some of the tools for that are in art history and some are in other places. If you’ve really got to do something, and it’s really important, you don’t give a shit where the tools come from. You get the tools wherever you can find them and then you deal with the consequences that attend those tools as you work with them. You don’t reject tools out of hand just because they come from this or that place. To me, that means you aren’t serious about getting the job done—you’re serious about something else, maybe about some bullshit notion of purity, but you’re not serious about getting the job done.”  This statement reverberates through table, a temporary project space organized by Kyle Bellucci Johanson, who has turned to building coalition through initiating critical discussions of contemporary art in the dining room of his …