Author: Amanda Dee

The sixth edition of Glamour Girl magazine features cover girl Brooke Candy

Review: The Art of the Body – A Body of Art, Glamour Girl’s 6th issue

“We are excruciatingly conscious of what it means to have a historically constituted body.” – Donna Haraway In the early 20th century, women artists worldwide such as Suzanne Valadon, Paula Modersohn-Becker, and Romaine Brooks began to work extensively with the feminine body as subject. They averted the gaze away from hetero-masculine fantasies and fetishes to their realities: their bodies and their experiences in those bodies, often set in spaces with other women. Valadon eschewed the critical judgment reserved for her upper-class women contemporaries because of her working-class status and reputation as a sexually available artist model. She painted nude portraits that showcased other working-class women and emphasized the context and action over nakedness itself. Yet most recall Degas’ baigneuses, not Valadon’s; even more forget Valadon altogether. In some of the most “progressive” Western art movements years later, take Surrealism, many women artists were forced, still, to enter artistic circles as models or muses first and/or by way of male romantic partners and then to wrestle with the shadow cast over them and their work by …

A view of the Archive of Touch exhibition at Goldfinch Gallery from the entrance of the room. Photo by Daniel Hojnacki.

Review: Processing An Archive of Touch at Goldfinch Gallery

“To persist at an encounter with the poor little world is the work of the artist. A test, and I think we do it for each other. To enact a critical metaphysics out of love, to ask and play and choke and fail, to posit small actions as consequential, emphatic, necessary, to insist on painting as an archive of touch, is hopeful, is hungry. My community exceeds me, the gift somehow never leaves my hands.” – Dana DeGiulio The creative act for the artist lends gravity to small actions, as motions and brush strokes become big decisions. In the group exhibition “An Archive of Touch,” each artist reconsidered their decisions through the lens of the titular concept, creating as a process of archiving touch. The output: documents of acrylics, carved clays, oils, stoneware, yarn; histories of relationships with objects, others, and themselves. Residing in East Garfield Park at Goldfinch Gallery through August 3, “An Archive of Touch” is comprised of works by Yesenia Bello, Dana DeGiulio, Andreas Fischer, Alejandro Jiménez-Flores, Joyce Lung, SaraNoa Mark, and …